After wrapping up 2016 by popping on numerous year-end lists from the likes of Rolling Stone, Remezcla, andKEXP, Venezuelan artist Algodón Egipcionow readies “El Ciclo del Agua” (“TheWater Cycle”,) the third single off his sophomore album La Confianza Ciega.
On “El Ciclo del Agua,” the producer adds elements from shoegaze and hip-hop to his peculiar brand of eccentric electronic pop music, creating a journey crafted to emote with its textures and dynamics. He does so while linking through metaphors the biogeochemical process with crying as a source of renovation and purification for human beings.
The single is accompanied by a music video done in Barcelona, Spain, by director Jordi Estrada. The visuals present two young men going through a phase of discovery, serving as a window to a friendship that sometimes is tender, others violent;where submission and addiction intertwine, as well as fear and hope. In his own words, he and his teamportrayed a “hedonistic fantasy in their little corner of intimacy, where we explore the idealization of masculinity, platonic desire and self-destruction’s subliming freedom.”
In the context of the current conservative wave that blankets the globe, Estrada, under the banner of Protagoras’ principle of “man is the measure of all things,” searches for his individual truth, which doesn’t necessarily aligns with Western heteronormativity
With JALEO, presented at 080 Barcelona Fashion, the designer takes a decisive step forward. The collection feels like a homecoming and a declaration at once.
ROSALÍA’s new single, “Berghain,” is the first glimpse of her upcoming album LUX (out on November 7), and it immediately establishes a new scale for her work.
Pull&Bear chose a significant moment to launch its new collaboration. The brand presented its capsule collection with the American streetwear label PLEASURES at the Centre Pompidou in Paris.
Burberry is celebrating its iconic Check scarf with a new portrait series. It features friends of the house, including Olivia Colman, Liu Wen, and Tyson Beckford.
Solomon Fox moves between worlds, Harvard and Hollywood, viral memes and soft bedroom beats, eighty acres of Virginia quiet, and the digital noise of now.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.