For the Kenzo Fall/Winter 2025 campaign, Artistic Director Nigo brings the city of New York into the conversation. The project, titled “Cross-Town Kenzo,” reunites his separate men’s and women’s collections through a shared story set in the urban landscape. It follows two distinct characters: a preppy uptown man and a free-spirited Lower East Side girl.
The campaign is captured by street photographer Bruce Gilden, whose signature flash-lit style defines a certain raw, urban energy. His photographs establish a crosstown rhythm built on contrast and movement. An accompanying video by the collective Little Legs echoes this feeling with fast-paced sequences of the characters navigating the city.
Tailoring is the central force of the visual story. In menswear, elevated kimono jackets with Japanese construction in soft neutrals are set against coats in vivid colors and plush textures. This use of strong color is a tribute to founder Kenzo Takada. Fluffy fabrics add energy to winter staples like boxy gilets and graphic knits.
The campaign is a study in duality. It is a dialogue between contrast and connection, told through the language of tailoring and character. Together, their cross-town story reflects the spirit that runs through the entire collection.
The debut collection, Season One: At First Light, was unveiled among friends, fam, and fans at the Hotel Pozzo di Borgo, a historic residence Karl Lagerfeld lived at, just before one of his sold-out concerts in the Paris.
The NRW-Forum Düsseldorf is opening a direct conversation. Its exhibition, SEX NOW, invites visitors to explore the complex role sex plays in our lives.
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The rhythm of Notting Hill Carnival is built on more than music. It is built on community, pride, and a shared heritage. This year, that rhythm had a new, powerful heartbeat: the partnership of PUMA and the… »
Bershka’s new collaboration with Von Dutch is a direct line to the era’s most iconic streetwear, a time defined by logo mania and a specific kind of celebrity swagger.
“Free Your Feet” is presented as an invitation. It is an invitation to feel the ground again, to reconnect with our bodies, and to make choices that consider our own health and the health of the planet.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
