Fatima Miñana‘s Spring/Summer 2025 collection, showcased at 080 Barcelona Fashion, explores grief, art, and fashion. Inspired by the work of Egon Schiele, The Art of Loss delves deep into the emotional intensity associated with loss, translating raw emotions into avant-garde silhouettes.
Miñana’s collection is a testament to her ability to transform grief into a powerful artistic statement. By experimenting with unconventional cuts and draped geometrics, she challenges traditional notions of beauty and femininity. The garments, constructed from elegant and unusual fabrics, are a visual manifestation of the duality of creation and destruction. Through techniques of pattern deconstruction and sabotage of finishing, Miñana subverts the expected, creating garments that are both visually striking and emotionally resonant.
The collection’s exploration of the connection between fashion and death is particularly compelling. Drawing on Giacomo Leopardi’s idea that fashion and death share a common nature – ongoing change – Miñana invites us to consider the ephemeral nature of our existence. The Art of Loss serves as a timely reminder that amidst the fast-paced world of fashion, there is a deeper beauty to be found in contemplation and reflection.
It’s the bag you put inside another bag or the one you stuff full of everything else. It doesn’t care what it carries; it’s built to hold whatever you throw at it.
“MiMa is first and foremost a space for discovery and inspiration. That was a core idea from the very beginning, both in the way we curated the selection and in how we designed the space itself.”
FANG NYC’s FW25 collection pulls from creative director Fang Guo’s travels, from Georgia’s concrete Kartlis Deda monument to Crete’s pink sand beaches, to play with contrasts.
To celebrate the release of Senua’s Saga: Hellblade II on PlayStation 5, Ninja Theory has teamed up with London’s Passarella Death Squad for a limited capsule collection.
Wood Wood enters a new chapter with its FW25 Double A campaign, the first collection under creative director Brian SS Jensen and head of design Gitte Wetter.
Johnatan Aba and Yoni Goor captured by the lens of Italo Gaspar and styled by Marchesini Matilde & Stefani Sofia, in exclusive for Fucking Young! Online.
DJOOKE opens up about his journey from Portuguese small towns to Lisbon’s DJ scene, the birth of iconic LGBTQ+ party BALAGAN, and his vision for inclusive nightlife.
Massimo Osti Studio’s latest collection, Continuative Garments, stays true to the brand’s philosophy: clothes should work effortlessly in everyday life.
For Fall/Winter 2025, Billionaire Boys Club turns its focus to Jamaican sound system culture, drawing from the raw energy of dancehall, reggae, and lovers rock.
Borsalino’s Fall/Winter 2025 campaign, captured by Pablo di Prima and shaped by Agata Belcen’s art direction, turns hats into something more than accessories. They become extensions of the people wearing them, subtle yet full of presence.
A reimagined version of their classic Plantaris, this ultra-limited release swaps the usual for titanium, turning a familiar shape into something that feels like it’s from 2075.
With a remarkable voice that challenges the status quo, Marval Rex is redefining cultural + transgender identities through the lens of comedy, performance, and thoughtful discourse.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
