Fatima Miñana‘s Spring/Summer 2025 collection, showcased at 080 Barcelona Fashion, explores grief, art, and fashion. Inspired by the work of Egon Schiele, The Art of Loss delves deep into the emotional intensity associated with loss, translating raw emotions into avant-garde silhouettes.
Miñana’s collection is a testament to her ability to transform grief into a powerful artistic statement. By experimenting with unconventional cuts and draped geometrics, she challenges traditional notions of beauty and femininity. The garments, constructed from elegant and unusual fabrics, are a visual manifestation of the duality of creation and destruction. Through techniques of pattern deconstruction and sabotage of finishing, Miñana subverts the expected, creating garments that are both visually striking and emotionally resonant.
The collection’s exploration of the connection between fashion and death is particularly compelling. Drawing on Giacomo Leopardi’s idea that fashion and death share a common nature – ongoing change – Miñana invites us to consider the ephemeral nature of our existence. The Art of Loss serves as a timely reminder that amidst the fast-paced world of fashion, there is a deeper beauty to be found in contemplation and reflection.
Aún es pronto para ser feliz isn’t looking for answers. It sits in the discomfort, embracing the idea that maybe, right now, not being okay is part of the process.
Marnix Eyckmans photographed by Aitana Valencia and styled by Ana San José with SS26 pieces from Dior Men, for the DREAMCORE issue of Fucking Young! magazine.
Madrid is preparing to welcome one of the most powerful emerging voices on the indie scene: Sombr, the young New York artist who has turned his raw sensitivity and generational vision into a global phenomenon.
Chino Amobi’s new project, “Eroica II: Christian Nihilism”, marks a striking and deeply personal return from an artist known for expanding the edges of sound, image, and storytelling.
Arts of the Earth at the Guggenheim Museum Bilbao is an ambitious exhibition on humanity’s shifting relationship with our planet, soil, and biodiversity.
Inspired by the folklore and spirit of flamenco, the collection captures the movement and emotion of the dance through silhouettes, contrasts, and details.
MODUS VIVENDI presents its Fall-Winter Black and White edition, a collection that drifts in from a retro art universe and lands right inside the pulse of modern urban life. The vibe is graphic, fluid and inclusive, as… »
There’s a quiet light that runs through Óscar Casas’ work, an energy that feels both instinctive and deliberate, like someone who has learned to move between dream and reality with ease.
Out of Australia’s sticky summer nights comes Full Flower Moon Band — a name that’s gone from whispered cult obsession to one of the country’s most ferocious live exports.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
