LOEWE just dropped its Spring/Summer 2024 pre-collection campaign, and it’s a visual prism of unique characters and the threads they’re rocking.
It’s all about that creative connection between Jonathan Anderson and photographer Juergen Teller. And who’s bringing this campaign to life? An eclectic lineup from the worlds of music, film, art, and fashion. We’re talking Greta Lee, Maggie Smith, Dakota Fanning, Mike Faist, Rachel Jones, Fei Fei Sun, and LOEWE’s Global Ambassadors, TAEYONG and Josh O’Connor.
The game here is simple. These characters stare right into the camera, sometimes daring, sometimes carefree, and they do it in everyday settings. Think a brick wall, a wooden deck, a room with shabby wallpaper, or a corner with stacked chairs. Even an empty pool makes the cut. But what’s the star of the show? The casual display of LOEWE bags, from the Classic and Edge versions of the Puzzle to the Fold, Squeeze, Pebble Bucket, Paseo, and Fold Shopper. Plus, there’s a special tote Puzzle Fold, born from a collab with Suna Fujita’s ceramic studio in Kyoto, crafted by Shohei Fujita and Chisato Yamano.
Juergen Teller’s signature unfiltered gaze takes these campaign stars, dressing them in resized classics from the collection. Think simple knits, jeans, denim tops and skirts, sheepskin coats, and leather pieces, all with a twist of twisted realism.
LOEWE’s craftsmanship signature comes to life as the campaign images are ripped out, slapped on white backgrounds, and rephotographed. It’s like photos within photos, turning into meta-photographs, giving them a sculptural vibe and a tangible feel – quintessential LOEWE.
Wood Wood enters a new chapter with its FW25 Double A campaign, the first collection under creative director Brian SS Jensen and head of design Gitte Wetter.
Johnatan Aba and Yoni Goor captured by the lens of Italo Gaspar and styled by Marchesini Matilde & Stefani Sofia, in exclusive for Fucking Young! Online.
DJOOKE opens up about his journey from Portuguese small towns to Lisbon’s DJ scene, the birth of iconic LGBTQ+ party BALAGAN, and his vision for inclusive nightlife.
Massimo Osti Studio’s latest collection, Continuative Garments, stays true to the brand’s philosophy: clothes should work effortlessly in everyday life.
For Fall/Winter 2025, Billionaire Boys Club turns its focus to Jamaican sound system culture, drawing from the raw energy of dancehall, reggae, and lovers rock.
Borsalino’s Fall/Winter 2025 campaign, captured by Pablo di Prima and shaped by Agata Belcen’s art direction, turns hats into something more than accessories. They become extensions of the people wearing them, subtle yet full of presence.
A reimagined version of their classic Plantaris, this ultra-limited release swaps the usual for titanium, turning a familiar shape into something that feels like it’s from 2075.
With a remarkable voice that challenges the status quo, Marval Rex is redefining cultural + transgender identities through the lens of comedy, performance, and thoughtful discourse.
Rombaut’s new drop, Ground I, is the latest step in their barefoot series, a shoe that keeps getting simpler, quieter, more like a sculpture than just footwear.
Somewhere between pop spellcasting and club catharsis, the line between artist and alter ego blurs into something feral, fabulous, and dangerously seductive.
From November 14 to 16, 2025, Maastricht will once again transform into a hub for fashion, art, and performance as the FASHIONCLASH Festival kicks off its 17th edition.
Drowning in all the new music releases? We’ve got you covered. Dive into our handpicked selection of this week’s standout tracks, from rising stars to iconic artists.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
