East-London rapper Jeshi has released the live cinematic performance film ‘‘Bad Day At The Office’’ directed by rising duo Ethan + Tom (p-rallel, Greentea Peng & Berwyn), produced by Academy Films and includes the tracks: ‘’3210’’, ‘’Hit By A Train’’, ‘’Two Mums’’ and ‘’Universal Credit’’.
A truly incredible film that sets Jeshi apart as a once-in-a-generation artist. Set in an empty office in Woking, every aspect of the visual is lovingly chosen and meticulously curated. With hazy call-backs to depressing workplace scenes often found in the late 90s/ 2000s films, e.g. ‘Fight Club’ and the James McAvoy breakthrough ‘Wanted’. Jeshi’s revitalization of this urban iconography showcases his unique take on societal mores.
Announced in mid-October the deluxe edition of his critically lauded album ‘‘Universal Credit’’ is out on the 25th of November. It will feature a brand new track ‘‘This Thing Of Ours’’, 4 live performances, and the recently released remix for ‘Protein’’ featuring Obongjayar & Westside Boogie.
Arriving in early Summer, ‘‘Universal Credit’’, was a blistering debut album that demanded the attention of critics and fans alike. You can read our interview HERE.
Aún es pronto para ser feliz isn’t looking for answers. It sits in the discomfort, embracing the idea that maybe, right now, not being okay is part of the process.
Marnix Eyckmans photographed by Aitana Valencia and styled by Ana San José with SS26 pieces from Dior Men, for the DREAMCORE issue of Fucking Young! magazine.
Madrid is preparing to welcome one of the most powerful emerging voices on the indie scene: Sombr, the young New York artist who has turned his raw sensitivity and generational vision into a global phenomenon.
Chino Amobi’s new project, “Eroica II: Christian Nihilism”, marks a striking and deeply personal return from an artist known for expanding the edges of sound, image, and storytelling.
Arts of the Earth at the Guggenheim Museum Bilbao is an ambitious exhibition on humanity’s shifting relationship with our planet, soil, and biodiversity.
Inspired by the folklore and spirit of flamenco, the collection captures the movement and emotion of the dance through silhouettes, contrasts, and details.
MODUS VIVENDI presents its Fall-Winter Black and White edition, a collection that drifts in from a retro art universe and lands right inside the pulse of modern urban life. The vibe is graphic, fluid and inclusive, as… »
There’s a quiet light that runs through Óscar Casas’ work, an energy that feels both instinctive and deliberate, like someone who has learned to move between dream and reality with ease.
Out of Australia’s sticky summer nights comes Full Flower Moon Band — a name that’s gone from whispered cult obsession to one of the country’s most ferocious live exports.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
