East-London rapper Jeshi has released the live cinematic performance film ‘‘Bad Day At The Office’’ directed by rising duo Ethan + Tom (p-rallel, Greentea Peng & Berwyn), produced by Academy Films and includes the tracks: ‘’3210’’, ‘’Hit By A Train’’, ‘’Two Mums’’ and ‘’Universal Credit’’.
A truly incredible film that sets Jeshi apart as a once-in-a-generation artist. Set in an empty office in Woking, every aspect of the visual is lovingly chosen and meticulously curated. With hazy call-backs to depressing workplace scenes often found in the late 90s/ 2000s films, e.g. ‘Fight Club’ and the James McAvoy breakthrough ‘Wanted’. Jeshi’s revitalization of this urban iconography showcases his unique take on societal mores.
Announced in mid-October the deluxe edition of his critically lauded album ‘‘Universal Credit’’ is out on the 25th of November. It will feature a brand new track ‘‘This Thing Of Ours’’, 4 live performances, and the recently released remix for ‘Protein’’ featuring Obongjayar & Westside Boogie.
Arriving in early Summer, ‘‘Universal Credit’’, was a blistering debut album that demanded the attention of critics and fans alike. You can read our interview HERE.
“MiMa is first and foremost a space for discovery and inspiration. That was a core idea from the very beginning, both in the way we curated the selection and in how we designed the space itself.”
FANG NYC’s FW25 collection pulls from creative director Fang Guo’s travels, from Georgia’s concrete Kartlis Deda monument to Crete’s pink sand beaches, to play with contrasts.
To celebrate the release of Senua’s Saga: Hellblade II on PlayStation 5, Ninja Theory has teamed up with London’s Passarella Death Squad for a limited capsule collection.
Wood Wood enters a new chapter with its FW25 Double A campaign, the first collection under creative director Brian SS Jensen and head of design Gitte Wetter.
Johnatan Aba and Yoni Goor captured by the lens of Italo Gaspar and styled by Marchesini Matilde & Stefani Sofia, in exclusive for Fucking Young! Online.
DJOOKE opens up about his journey from Portuguese small towns to Lisbon’s DJ scene, the birth of iconic LGBTQ+ party BALAGAN, and his vision for inclusive nightlife.
Massimo Osti Studio’s latest collection, Continuative Garments, stays true to the brand’s philosophy: clothes should work effortlessly in everyday life.
For Fall/Winter 2025, Billionaire Boys Club turns its focus to Jamaican sound system culture, drawing from the raw energy of dancehall, reggae, and lovers rock.
Borsalino’s Fall/Winter 2025 campaign, captured by Pablo di Prima and shaped by Agata Belcen’s art direction, turns hats into something more than accessories. They become extensions of the people wearing them, subtle yet full of presence.
A reimagined version of their classic Plantaris, this ultra-limited release swaps the usual for titanium, turning a familiar shape into something that feels like it’s from 2075.
With a remarkable voice that challenges the status quo, Marval Rex is redefining cultural + transgender identities through the lens of comedy, performance, and thoughtful discourse.
Rombaut’s new drop, Ground I, is the latest step in their barefoot series, a shoe that keeps getting simpler, quieter, more like a sculpture than just footwear.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
