Xander Zhou SS18 Backstage!
by Ashlee Severin






























Take a look at Xander Zhou‘s SS18 Backstage captured by the lens of Elliott Morgan during London Fashion Week Men‘s, in exclusive for Fucking Young!
An initial read through of the invitation, and you would be forgiven in thinking that Xander Zhou SS18 would bring with it a supergalatic, space inspired performance. Upon arrival, it becomes clear that such interpretations were far too juvenile – A scarce, soulless space is scattered with Microsoft desktop computers silently synced by low-res screensavers. The occasional ring of a drab office telephone echoes through several private cubicles positioned somewhat sparingly across a generic working area. A million miles away from the creative hubs assumingly frequented by the members of the audience, Xander Zhou succeeds with his initial task of setting an alien tone indeed – the generic office space is uncharted territory for the majority viewing, with airy, loft studio minimalism now the norm for most.
A trip down memory lane as the first outfits begin to show: the black tie and belt combo, a uniform for the slightly above average salary. There are several nods to the boom and bustle of the corporate 90s: shirting etched with embroidered logos, suit bags carried across the back, security ear pieces, boxy short sleeved shirts adorned with a primary colour palette. It is a compilation of all the working types: public sector service boy, high flying financer. They lack presence, they lack humanity; but with this the clothes come into their own. Slowly, we chip away at the dystopian exterior: a few splashes of neon tie dye on a shoe, Radioactive green seeping from a suit jacket seam. What is their story? What time period are these business ready robots really from?
Zhou’s confidence in retaining so much of the average man’s work attire circa 1999 works so brilliantly well, it needs no more than the few considered tailoring tweaks and fabrication upgrades he has decided to administer. A strong piece is the black leather button down jacket, seemingly untouched from its late 90s inspiration, yet so perfect and unfailingly striking even after all these years of being overlooked and over worn. Xander Zhou stays true to his relaxed approach to fit and tailoring; capes and trench coats slip off the shoulders and drape the upper body well. The cutouts on the shirting provide a new challenge from a styling point of view, and allows the piece to flourish as a new, stand alone contemporary aesthetic.
Xander Zhou’s SS18 ode to 9-5 brings with it a stylish workwear reset. Fax machines and briefcases at the ready.
Edward Crutchley Spring/Summer 2018
Liam Hodges Spring/Summer 2018
Our photographer Emil Huseynzade went backstage at ModaLisboa to capture the menswear looks from SANGUE NOVO, in exclusive for Fucking Young!
Zach Delf photographed by Sanem Ozman and styled by Talia Voon, in exclusive for Fucking Young! Online.
For its Spring/Summer 2026 collection, Rhude explores the idea of the Renaissance Man.
Trashy Clothing’s Spring/Summer 2026 collection is called “Bikini Diplomacy.” It begins with a feeling of déjà vu.
Sandro Vepkhvadze photographed and styled by Beka Gulva, in exclusive for Fucking Young! Online.
Duran Lantink’s first collection for Jean Paul Gaultier is called “JUNIOR.”
With this collection, Ludovic de Saint Sernin crowns a new aristocracy. In this world, elegance is a form of liberation, sensuality is power, and the ultimate luxury is belonging.
Maison Kitsuné presents its SS26 collection, titled Voyage Vestiaire. This season marks the debut of the house’s new Creative Director, Abigail Smiley-Smith.
Lacoste’s Spring/Summer 2026 collection, The Locker Room, shows us the moment when each player steps into their purpose.
Alessandro Michele unveils his Valentino SS26 collection, “Fireflies,” a sartorial manifesto inspired by Pier Paolo Pasolini’s writings on finding light and desire in the dark.
Ann Demeulemeester is known for creating a strong contrast between structure and softness, but for Spring/Summer 2026, it was the softer side that came out.
We talked with HOLD NYC about how Hustlers redefines what it means to dress and to hustle today.
BOSS, in collaboration with the Aston Martin Aramco Formula One Team, is offering a new way to experience racing.
For her first-ever trainer collaboration, London-based designer Priya Ahluwalia has partnered with PUMA to reconsider the iconic Suede.
Photographer Angelo Pennetta captured DiMarco in the streets and small shops of the 11th arrondissement.
Artist Josué Thomas presents a photographic project titled I ♥ Paris (quand ce n’est pas la fashion week). It is a meditation on the city, focusing on the life that exists beyond its most famous events.
Guided by designer Daisuke Obana’s philosophy of deconstruction and reassembly, the capsule collection filters Baracuta’s British heritage through a minimalist and detail-oriented lens.
Kyle Ponte captured by the lens of Dylan Perlot and styled by Dina Vibes, in exclusive for Fucking Young! Online.
“Paul Smith Loves Barbour” offers twenty-three reimagined classics. It includes iconic coats, knitwear, and accessories.
The fashion label grounds presented its SS26 collection in a raw, brutalist parking garage during Paris Fashion Week. The setting set the tone for what was inside.
The act of getting dressed is a personal audition for the day ahead. We create a silhouette and try on different versions of ourselves until the look fits the part we want to play.
Luxury house TOM FORD, creatively directed by Haider Ackermann, presented its Spring/Summer 2026 collection at Paris Fashion Week.
For its Spring/Summer 2026 collection, Casablanca finds its rhythm in house music.
Eli Tuia, Santan and Tyler Matthews at People Agency shot by Abhishek Gambhir and styled by Coco Poco Loco, in exclusive for Fucking Young! Online.
Magma’s third edition is called “Archive of the Future.” It brings together twenty-five artists, writers, and composers.
For its ninth collection, Fear of God looks to baseball. This is not just a theme, but a core part of the brand’s vision.
For its Spring/Summer 2026 collection, KSENIASCHNAIDER makes its London Fashion Week debut.
Hugo Gonzalez, Sebastián Terranova, Miquel Villena and Nil Frago shot by Carlos Venegas and styled by Magda Rodriguez, in exclusive for Fucking Young! Online.
This season, Mr P. is telling a story with dogs. Their new campaign, “Man’s Best Friend,” focuses on four creative men and their pets.
Camper has reopened its main store in Barcelona. Located in the Eixample district, the space was redesigned by local designer Max Enrich.