Selfies have taken over the Internet. A self-portrait may be seen as an act of vanity, but like James Franco said is also cultivates a “visual culture, the selfie quickly and easily shows, not tells, how you’re feeling, where you are, what you’re doing”.
Selfies are tools of communication and the best status update. You can tell more with one selfie than with a few lines of text.
We can see all type of selfies… the Bed Selfie, the Bathroom Selfie, the Gym Selfie, the Duckface Selfie, the Shy Selfie, the Belfie.
Now Alcatel ONETOUCH is making a casting and you just need to upload your best selfie to the Alcatel Facebook page to become the image of the global campaign for the new Alcatel ONETOUCH.
Three lucky winners, with the most creative selfies in the five styles – naughty, wild, geek, dumb and kiddo (childish) – will be selected by a jury consisting of fashion blogger Bryanboy, Cool Hunting co-founder Evan Orensten, and Fake Leather founder Adriana Gastélum, after April 23rd to become the faces of the upcoming Alcatel ONETOUCH global advertising campaign.
But to have a chance to be selected you have to be creative and smart. Find the right lighting, try out some poses and most flattering angles, look for some funny props to make it interesting, and please, please avoid the horrible clichées of pouty-mouthed duck faces and Miley Cyrus tongues. Unless you are being ironic.
Francisco Terra’s 15th-anniversary collection for Maldito is a midnight ride through memory, a fever dream of teenage longing stitched into lace and rhinestones.
In a time of movement and uncertainty, Estelita Mendonça’s Spring/Summer 2026 collection questions what clothing means when stability feels like a luxury.
Take a look at C.R.E.O.L.E’s Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during Paris Fashion Week, in exclusive for Fucking Young!
Glenn Martens’ Maison Margiela Artisanal collection doesn’t just borrow from history, but it fractures it, reassembles it, and wears it like a second skin.
For Spring/Summer 2026, AV Vattev’s Bohème collection takes its cues from two iconic worlds: the effortless cool of French New Wave cinema and the raw energy of British music subcultures.
Concrete Husband talks about turning psychological collapse into industrial soundscapes, confronting darkness on Berghain’s dancefloor, and why dark techno is, above all, sexy.
We had the chance to catch up with Ohio-born, Brooklyn-based designer Kody Phillips in his Paris Fashion Week showroom where he unveiled his Spring/Summer 2026 collection.
Dean and Dan doubled down on their love of fashion’s most dramatic moments, remixing 80s power dressing, 90s grunge, and 2000s excess into something entirely their own.
Telekom Electronic Beats (TEB) and 032c are turning 25, and they’re celebrating with a capsule collection and an installation by Harry Nuriev. Titled All is Sound.
Cult Korean menswear brand THUG CLUB teamed up with designer IZZY DU for an unforgettable dinner and afterparty at the mythical Lapérouse during Paris Fashion Week.
Jonathan Anderson has always treated fashion like a carefully assembled collection, mixing the unexpected, trusting his instincts, and binding it all together with a strong point of view.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
