Taking inspiration from the scenery of the runway show – from the Normandy coast to the Sussex countryside – this model combines the precision of tailoring with outdoor functionality, paying tribute to Monsieur Dior’s passion for nature and flowers. With exceptional craftsmanship in its design, this creation borrows its iconic cut from the oblique suit and comes to life in the Dior workshops through a unique process: after meticulous molding and cutting of the fabrics, the yokes are assembled with maximum precision.
Elegant adornments of silk organza and grosgrain braids complete this coveted object, like an ode to the art of detail so cherished by Dior. Inviting freedom and self-affirmation, this piece promises bold charm.
The offering is relaxed yet polished. It includes rugby shirts, lightweight shell jackets, and everyday T-shirts that speak to the brand’s modern-prep influences.
James Edward photographed by Jess Segal and styled by Heloise Chauvenhei, with creative direction by Charlotte Carter, in exclusive for Fucking Young! Online.
PUMA’s Talon sneaker, first launched in 2004, is a relic from a specific time. It’s a shoe pulled from the archive, but its new collaboration with NO/FAITH Studios is about more than just nostalgia.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
