Louis Vuitton unveils its 2024 Christmas campaign, inviting us on a whimsical journey aboard a carousel. Set against a snowy backdrop, the carousel promises a magical ride through dreamlike scenes, celebrating the spirit of travel and the joy of the holiday season.
We embark on a wondrous adventure as we board the carousel, adorned with crafted animal figurines. We soar over snow-capped mountains, drift through clouds, skim across calm seas, and glide over illuminated city skylines. Each scene is inspired by moments and places dear to Louis Vuitton, culminating in a festive fireworks display over Paris’ iconic Place Vendôme.
The campaign showcases a selection of Louis Vuitton’s products, including ready-to-wear, leather goods, travel accessories, jewelry, and hardwear creations, perfect for the discerning gift-giver.
To bring the magic to life, Louis Vuitton will host physical carousel activations in selected cities. Visitors can experience the enchantment firsthand by riding the carousel and immersing themselves in the festive atmosphere.
In addition to window displays, Louis Vuitton will launch an AR carousel filter on Instagram and a Christmas e-card service, allowing people to share the holiday spirit with loved ones.
Designer Eli Russell Linnetz spins a chaotic tale with The Wild Bunch, inspired by a fictional gang of anarchists (the Dudley Dozens) who turn the California coast into their personal warzone.
Benji Blue Bills has come a long way since his early boom bap days, now carving a distinct niche in electronic trap with vintage synths and a fresh, immersive sound.
The Schreiberling, meaning “scribbler,” is a limited-edition writing instrument inspired by Montblanc’s historical “Baby” models from the early 20th century.
Jean Paul Gaultier opens the doors of his Paris headquarters for Et Gaultier créa l’Homme: Le Male – Passé, Présent, Futur, a sensory exhibition celebrating the iconic fragrance Le Male.
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Fangs, wings, and other ways to survive. Nicasio Torres and his new paints exhibition in Palo Alto Barcelona. Somewhere between desire and dissidence, a creature with oil-painted wings and graphite claws begins to stir.
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Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
