Summer is starting to feel early this year thanks to the latest drop of Rosalía & Travis Scotttrack TKN directed by Nicolás Méndez aka CANADA. Scott even gives us a couple of Spanish bars. The two previously collaborated on the remix of Scott’s “Highest in the Room.”
“Travis is an artist who I’ve admired a lot since the beginning of his career and I can’t imagine a better artist to collaborate with on this song,” Rosalía said. “I feel that now is the moment to release this song, after so many months of staying indoors, missing freedom or being with people we love. I hope ‘TKN’ gives you energy, makes you dance, and gives you strength if you’re going through difficult times.”
The clip features children dancing and taking somewhat of a young apprenticeship stance and shifts to Rosalía as a maternal mentor figure. With so much happening in the world so quickly in the past few months, its hard not to think of a quick generation divide of the children who remember life before the pandemic and those who only know after. It’s hard to not be slightly taken away hypnotically.
There are artists who dress the world — and others who undress it. David Delfín did both. Tomorrow, at Valladolid’s International Film Festival (Seminci), RTVE Play unveils “David Delfín. Muestra tu herida“, a documentary that peels away the myths to… »
With JALEO, presented at 080 Barcelona Fashion, the designer takes a decisive step forward. The collection feels like a homecoming and a declaration at once.
ROSALÍA’s new single, “Berghain,” is the first glimpse of her upcoming album LUX (out on November 7), and it immediately establishes a new scale for her work.
Pull&Bear chose a significant moment to launch its new collaboration. The brand presented its capsule collection with the American streetwear label PLEASURES at the Centre Pompidou in Paris.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.