OVNNIE is not just a clothing brand, it is a creative experience. Founded by the artist Bnomio, OVNNIE invites you to explore his artistic world, where art, architecture, and minimalism converge. The brand challenges the boundaries of streetwear by creating garments that combine avant-garde design, comfort, and quality.
OVNNIE’s debut collection, Layered, is inspired by Bnomio’s artistic practice of overlapping elements. Layered offers a range of oversized pieces that can be mixed and matched to create different looks. The collection is made of organic and recycled fabrics, and produced in Europe with meticulous craftsmanship.
The collection celebrates the beauty of simplicity, drawing from the architectural minimalism and brutalism movements. It features timeless and elegant designs that are also comfortable and versatile. The key piece of the collection is a pair of detachable cargo pants that can be worn in different ways, thanks to the adjacent legs of different cuts.
OVNNIE is also about to collaborate with Pedro Gómez, a Spanish brand that has been making high-quality Duvet feather jackets since 1965. The result is a unique and exclusive garment that blends tradition and innovation. The three-quarter coat is filled with authentic Pyrenex Duvet feathers and made with Kiss fabric, in black and silver colors. The coat has several details that make it stand out, such as the snaps to attach a feather hood, the zippers on the sleeves to transform it into a vest, and the pockets on the front. The coat is available in a limited edition of 20 units, and it is a perfect example of how OVNNIE merges craftsmanship and avant-garde design.
Aún es pronto para ser feliz isn’t looking for answers. It sits in the discomfort, embracing the idea that maybe, right now, not being okay is part of the process.
Marnix Eyckmans photographed by Aitana Valencia and styled by Ana San José with SS26 pieces from Dior Men, for the DREAMCORE issue of Fucking Young! magazine.
Madrid is preparing to welcome one of the most powerful emerging voices on the indie scene: Sombr, the young New York artist who has turned his raw sensitivity and generational vision into a global phenomenon.
Chino Amobi’s new project, “Eroica II: Christian Nihilism”, marks a striking and deeply personal return from an artist known for expanding the edges of sound, image, and storytelling.
Arts of the Earth at the Guggenheim Museum Bilbao is an ambitious exhibition on humanity’s shifting relationship with our planet, soil, and biodiversity.
Inspired by the folklore and spirit of flamenco, the collection captures the movement and emotion of the dance through silhouettes, contrasts, and details.
MODUS VIVENDI presents its Fall-Winter Black and White edition, a collection that drifts in from a retro art universe and lands right inside the pulse of modern urban life. The vibe is graphic, fluid and inclusive, as… »
There’s a quiet light that runs through Óscar Casas’ work, an energy that feels both instinctive and deliberate, like someone who has learned to move between dream and reality with ease.
Out of Australia’s sticky summer nights comes Full Flower Moon Band — a name that’s gone from whispered cult obsession to one of the country’s most ferocious live exports.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.