Louis Vuitton Pre-Fall 2023
by Gabriel Córdoba Acosta
“The Desert Race” is the name given to Louis Vuitton‘s latest proposal, which corresponds to the Fall/Winter 2023 pre-collection that the Prêt-à-Porter Homme studio of the Maison has designed, as since the death of Virgil Abloh no designer has been appointed as creative director to replace him.
Illustrating the transition of weather conditions through the metaphor of a desert race, the line relates directly to one of the most extreme, demanding, and unpredictable sports: motor. The mirages that appear from time to time add further emphasis and rawness to the theme.
The collection is divided into two parts: “The Desert” and “The Mirage”. Starting with the first, the desert races are transformed into a complete wardrobe adaptable to the urban and recreational dress codes that Virgil so clearly defined, such as a motocross jacket, which stands out for the contrast of aquamarine green with black and the appearance of the Vuitton name on the front. Tailoring and casual travel wear come into play here, including technical pieces made from lightweight, waterproof ripstop nylon. Trousers and tops adorned with zips that surprisingly transform into shorts and short-sleeved shirts with hoods are practically all we can see in the first part of Pre-Fall 2023.
As for the second part, the collection portrays an oasis that mingles with sun-drenched dunes and adapts native motifs of land and water flora into a casual wardrobe. Printed denim and outerwear take center stage in design and construction. The green jacket, a souvenir leather jacket adorned with a perforated logo, and a white reversible bomber jacket – in leather and nylon – are adaptable to different times and occasions.
Finally, and as a novelty, the introduction of the loudspeaker man, which is a reimagining of drawings of the models who wore loudspeakers strapped to their backs, during the spring 2023 fashion show. A nice touch from the team, referencing Abloh’s time as a DJ.
Check out the collection below:












































Givenchy Pre-Fall 2023
Stéphane Gizard Releases “Irréversible” Book
It’s the bag you put inside another bag or the one you stuff full of everything else. It doesn’t care what it carries; it’s built to hold whatever you throw at it.
Jhona Burjack photographed by Gustavo Zylbersztajn and styled by Thiago Biagi, in exclusive for Fucking Young! Online.
Carhartt WIP’s Fall/Winter 2025 collection keeps the brand’s rugged workwear spirit while mixing in fresh elements.
Billionaire Boys Club’s second drop for Fall/Winter 2025 is a celebration of Jamaican sound system culture.
“MiMa is first and foremost a space for discovery and inspiration. That was a core idea from the very beginning, both in the way we curated the selection and in how we designed the space itself.”
FANG NYC’s FW25 collection pulls from creative director Fang Guo’s travels, from Georgia’s concrete Kartlis Deda monument to Crete’s pink sand beaches, to play with contrasts.
Reebok and multitalented artist Tobe Nwigwe are back with the second chapter of their collaborative “Reebok x Chukwu” partnership.
Rihanna’s FENTY x PUMA collaboration returns with a fresh take on football-inspired fashion.
To celebrate the release of Senua’s Saga: Hellblade II on PlayStation 5, Ninja Theory has teamed up with London’s Passarella Death Squad for a limited capsule collection.
ERL marks its fifth anniversary with a new version of its signature skate shoe, the Electric Blue Vamp.
Skepta and PUMA are back with a tight, all-black collection that strips streetwear down to its essentials.
Wood Wood enters a new chapter with its FW25 Double A campaign, the first collection under creative director Brian SS Jensen and head of design Gitte Wetter.
Leandro da Silva photographed by Emil Huseynzade and styled by Vladimir Frol de Moura, in exclusive for Fucking Young! Online.
PUMA is re-releasing its special 2003 H-Street sneakers in two Jamaica-inspired colorways, just in time for Notting Hill Carnival.
Delvinas and Antón lensed by Willy Villacorta and styled by María Hernandez, in exclusive for Fucking Young! Online.
Viegas is someone who grew up immersed in music and community, with a desire to create spaces where people feel seen and free.
Johnatan Aba and Yoni Goor captured by the lens of Italo Gaspar and styled by Marchesini Matilde & Stefani Sofia, in exclusive for Fucking Young! Online.
Stüssy keeps growing, and its newest store in Biarritz, France, is proof.
DJOOKE opens up about his journey from Portuguese small towns to Lisbon’s DJ scene, the birth of iconic LGBTQ+ party BALAGAN, and his vision for inclusive nightlife.
Nicolas Benitez at New Icon photographed by Diego Bigolin and styled by Daniel Zazueta, in exclusive for Fucking Young! Online.
Massimo Osti Studio’s latest collection, Continuative Garments, stays true to the brand’s philosophy: clothes should work effortlessly in everyday life.
For Fall/Winter 2025, Billionaire Boys Club turns its focus to Jamaican sound system culture, drawing from the raw energy of dancehall, reggae, and lovers rock.
Salomon has teamed up with JJJJound to reimagine the XT-6 in two very different ways.
The fragrance captures the fleeting bloom of the osmanthus flower, a winter surprise in Kyoto.
Borsalino’s Fall/Winter 2025 campaign, captured by Pablo di Prima and shaped by Agata Belcen’s art direction, turns hats into something more than accessories. They become extensions of the people wearing them, subtle yet full of presence.
The brand’s… »
A reimagined version of their classic Plantaris, this ultra-limited release swaps the usual for titanium, turning a familiar shape into something that feels like it’s from 2075.
With a remarkable voice that challenges the status quo, Marval Rex is redefining cultural + transgender identities through the lens of comedy, performance, and thoughtful discourse.
SAVVA at Angels Project photographed and styled by Alberto Saguar, in exclusive for Fucking Young! Online.
Rombaut’s new drop, Ground I, is the latest step in their barefoot series, a shoe that keeps getting simpler, quieter, more like a sculpture than just footwear.
Rick Owens’s first major retrospective in Paris, Temple of Love, transforms the Palais Galliera into a ritualistic sanctuary.