Lorenzo Seghezzi Spring/Summer 2026
by Adriano Batista
Lorenzo Seghezzi’s latest collection, “Interlude,” is a story drawn from the Milanese clubbing world: a fluid, queer, and volatile space that shaped him. This world was his education. In clubs like Toilet, Plastic, and La Boum, he found love, friendship, and an aesthetic voice.
For Seghezzi, clubbing was a rite of passage. It was a place of transformation, where identity was built with minimal means: a few euros, safety pins, and a glue gun. It was here he discovered the power of drag and burlesque, arts that subvert norms and turn personal struggle into performance. This path naturally led him to corsetry, which has become a signature of his work.
“Interlude” also speaks of addiction, the pressure to perform, and the fragility hidden behind the glitter. Seghezzi reflects on the friends he lost to addiction, people he shared endless nights with, now gone. A decade later, entering a club brings a mix of nostalgia and sadness, a recognition of a repeating cycle.
The central question of the collection is whether a queer adult life can exist brilliantly in the daylight. “Interlude” tries to answer this. It moves the relics of the night into the open, turning a runway into a “walk of shame” reimagined as art. It is a love letter to the night, and an attempt to envision what comes after.
For the first time, leather appears in his looks, thanks to a partnership with Lineapelle. The material, salvaged from sample books, is complex and multifaceted, much like the collection’s themes. All materials were recovered from warehouse archives. Every garment was handmade by Seghezzi and his small team.
Check it out below:
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