This year marks Gucci‘s 100th anniversary, and to mark the monumental year Alessandro Michele surprised everyone by making Gucci behave like Balenciaga. You could say it’s a “homage” or “reference”, but it’s definitely something we will be talking about for a long time, and don’t call it a collab. While many reactions were of surprise or confusion, I’m sure it was the same people who had an opinion on Snoop Dogg ft Willie Nelson, to everyone else, of course, they orbit the same universe.
Both houses are not strangers to collaborations (think Gucci X The North Face or Balenciaga X Crocs) and both Michele and Gvasalia have defined the zeitgeist of the past five years and changed fashion’s direction with a certain amount of satire. What we see in this“Aria” collection are Balenciaga’s shapes, squared shoulders, angular accessories, and oversized outerwear given the Gucci treatment, never afraid to embellish and add trimmings.
Aria is magical, nonsensical, and in some ways feels like part of a custom-made stimulation. If we are in a stimulator, this is only the beginning of the next one hundred years.
From October 15, 2025, to January 25, 2026, the Maison Européenne de la Photographie (MEP) in Paris will host Tyler Mitchell’s first solo exhibition in France, titled Wish This Was Real.
Marine Serre presents the third chapter of her FW25 campaign. Titled “NIGHT IN SHANGHAI,” this final act builds on the themes of her Paris show, exploring illusion and emotion through a cinematic lens.
LOEWE and On present their Fall/Winter 2025 collaboration, featuring the first model they have designed together: the limited-edition Cloudsolo sneaker.
A$AP Rocky and PUMA have released their latest and largest collection. The new line finds its inspiration in the Harlem jazz renaissance, mixing that era’s energy with modern streetwear.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
