This year marks Gucci‘s 100th anniversary, and to mark the monumental year Alessandro Michele surprised everyone by making Gucci behave like Balenciaga. You could say it’s a “homage” or “reference”, but it’s definitely something we will be talking about for a long time, and don’t call it a collab. While many reactions were of surprise or confusion, I’m sure it was the same people who had an opinion on Snoop Dogg ft Willie Nelson, to everyone else, of course, they orbit the same universe.
Both houses are not strangers to collaborations (think Gucci X The North Face or Balenciaga X Crocs) and both Michele and Gvasalia have defined the zeitgeist of the past five years and changed fashion’s direction with a certain amount of satire. What we see in this“Aria” collection are Balenciaga’s shapes, squared shoulders, angular accessories, and oversized outerwear given the Gucci treatment, never afraid to embellish and add trimmings.
Aria is magical, nonsensical, and in some ways feels like part of a custom-made stimulation. If we are in a stimulator, this is only the beginning of the next one hundred years.
The offering is relaxed yet polished. It includes rugby shirts, lightweight shell jackets, and everyday T-shirts that speak to the brand’s modern-prep influences.
James Edward photographed by Jess Segal and styled by Heloise Chauvenhei, with creative direction by Charlotte Carter, in exclusive for Fucking Young! Online.
PUMA’s Talon sneaker, first launched in 2004, is a relic from a specific time. It’s a shoe pulled from the archive, but its new collaboration with NO/FAITH Studios is about more than just nostalgia.
This season confirms SHOOP’s design approach. It draws from the everyday and reinterprets it through a poetic, modern lens, creating a language that joins the functional with the emotional.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
