A Cold Wall* Spring/Summer 2018
by Ashlee Severin
True to form, A-COLD-WALL* touches on more relevant, political subject matters surrounding classism, city living and opportunity this SS18 season. Samuel Ross explores real life concepts surrounding educational and professional success and brings with it a declaration of discontentment.
The catwalk is set up like a maze, made complex through the placement of notice boards and office memos. Models move around them in a linear motion, it feels controlled, contrived and long-winded – the journey to the end has been stretched out and overcomplicated, perhaps a symbolic representation of the system as a whole.
The words BTEC are printed on the floor, it feels nostalgic and brings back memories of youth and freedom. There was always something both equally mature and juvenile about a BTEC college course – still too young for the pub, yet now too old for your school uniform. The promise of career dreams and financial success, the beginning of your professional transition into whoever you wish to be. A-COLD-WALL* looks frankly at the so-called comfortable 9-5, and provides a stark, sobering look into what has become the norm for so many.
Accessories included baskets of paperwork scattered carelessly across the catwalk, and drawstring backpacks worn across the front; a nod to the classic Nike school bags from back in the day. There was also element of adaptability within the pieces. The rubberized panels of Levis denim jackets feel somewhat optimised for harsher conditions. Tarpaulin attached to the back of a jacket feels ready for the outside, and the PVC veils on the hats push a protective narrative. Air Force 1s, once fresh out the box back in the college days, now look weathered and dusty; the result of a wardrobe simply repurposed, reused and optimized for the brutalist working landscape. Drawing pins pushed into hoodies and tracksuit bottoms made of PVC stood out to us in particular.
A-COLD-WALL* brings us a harsh reality check this season. A message of awareness: you’re gonna get left out in the cold, and it’s best if you prepare for it.
Alex Mullins SS18 Backstage!
Prada Fall/Winter 2017 Campaign
For Spring/Summer 2026, Palomo returned to Madrid. The setting was The Palace Hotel, an intimate presentation that marked a homecoming after several seasons in New York.
Smith will lead the creation of four collections each year, covering men’s shoes, leather goods, and accessories.
Gucci introduces a new sneaker, the Gucci Shift, designed for motion. It translates the House’s athletic history into a form made for the rhythm of now.
Setchu Perfume is a collection of five fragrances, each continuing the brand’s search for balance, joy, and strength.
Deep in the hills of Abruzzo, at a place called Villaggio Cirulli, a simple but powerful idea took shape: no one is just a number.
Take a look at Campillo’s Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during New York Fashion Week, in exclusive for Fucking Young!
FANG NYC made its New York Fashion Week debut with a Spring/Summer 2026 collection that drew a clear line from the past to a specific future.
Valentino Garavani and Vans unveiled the campaign images for its new collaboration.
ECKHAUS LATTA unveiled its Spring/Summer 2026 collection during New York Fashion Week.
Ami Paris has unveiled a new staple for the wardrobe: the Mirage sneaker.
Peter Demas photographed by Chris Fucile, in exclusive for Fucking Young! Online.
In an age of digital noise, there’s something powerful about work made by hand. Artist Sal Salandra understands this.
LeBlancStudios presents its Spring/Summer 2026 collection, “Museum of Common Oddities.”
Drawing from the energy of Tokyo’s streetwear, the collection captures the creative pulse of Shibuya.
Dsquared2 and Ducati have joined forces for the first time. The reason is a machine: the new Ducati XDiavel V4 motorcycle.
A shoe should feel good from the first step. That’s the idea behind Camper’s new unisex sneaker, the Karst 2.
The offering is relaxed yet polished. It includes rugby shirts, lightweight shell jackets, and everyday T-shirts that speak to the brand’s modern-prep influences.
Photographed by Juergen Teller and styled by Jodie Barnes, the campaign features models Alex Consani and Leon Dame.
The message is an invitation. It’s a call to “cum” together, to join what they playfully term the “Carne Cummunity.”
SOLID HOMME applies its own clean, specific point of view to the iconic MA-1 flight jacket from Alpha Industries.
Balenciaga just unveiled a collection of ten fragrances. This launch moves beyond traditional perfumery, built instead on fusion and tension.
Dior has unveiled a new bag for the Winter 2025-2026 collection: the Dior Slider hobo.
A store should feel like it belongs. That’s the idea behind the newly reopened Camper flagship on Madrid’s Calle de Serrano.
Desigual introduced its new premium line, Desigual Studio, with a fashion show in Barcelona last night.
We caught up with Parcels in Paris to learn more about their new album.
The brand’s latest collection draws directly from its functional roots, reinterpreting the classic workwear that built its name for a modern audience.
The 36th edition of 080 Barcelona Fashion has announced its schedule, bringing together 24 designers and brands to present their new collections.
93 Sierra/Crosses has released its Fall/Winter 2025 collection, and it continues to build on the brand’s strong identity.
For its second year as Correspondent Designer, Les Benjamins closed Dubai Fashion Week with a new chapter titled “El Gringo”.
Oakley has unveiled its latest project with global football icon Kylian Mbappé, and it centers on a cool idea: artifacts from the future.
