“You don’t hear much about hope these days, do you?… They’ve forgotten all about hope, there’s only one great evil in the world today. Despair.” – Evelyn Waugh, Vile Bodies (1930)
Hedi Slimane takes us to the English countryside for CELINE Summer 2025 where the collection comes alive as models walk among the gardens of Holkham Hall to the trumpet sounds of Jean-Philippe Rameau’s Les Indes Galantes. What is an English summer? Could it be English cloth or trimmed jackets, cricket, boating blazers, rowing jackets, and cricket whites? Maybe it smells of oak moss, cedar, nutmeg, coumarin, and cashmeran. Or perhaps it’s a bicycle, wicker baskets, canoes, and local cut flowers.
While studying at the Ecole du Louvre in the late 80s, Hedi Slimane began writing an essay on Anglomania from research on the Comte d’Artois, who initiated Anglomania at Versailles. The Bright Young revives this 30-year-old project by Hedi Slimane. CELINE Summer 2025 is full of early 20th century references conjuring up imagery of the Roaring Twenties, Francis Scott Fitzgerald in at the Hotel Eden Roc in the 20s to the derbie revival in the early 21st century. Throughout the collection, Hedi Slimane explores British sartorial codes including suits paired with hand-embroidered waistcoats featuring English field flower motifs while Silk faille gilets are decorated with English Gothic flower designs in sequin, crystal, and high-gloss silver, gold, and black pearls. With striking detailing and subdued romanticism, we are in the mood for an elegant summer without hints of despair.
With this collection, Ludovic de Saint Sernin crowns a new aristocracy. In this world, elegance is a form of liberation, sensuality is power, and the ultimate luxury is belonging.
Maison Kitsuné presents its SS26 collection, titled Voyage Vestiaire. This season marks the debut of the house’s new Creative Director, Abigail Smiley-Smith.
Alessandro Michele unveils his Valentino SS26 collection, “Fireflies,” a sartorial manifesto inspired by Pier Paolo Pasolini’s writings on finding light and desire in the dark.
Ann Demeulemeester is known for creating a strong contrast between structure and softness, but for Spring/Summer 2026, it was the softer side that came out.
Artist Josué Thomas presents a photographic project titled I ♥ Paris (quand ce n’est pas la fashion week). It is a meditation on the city, focusing on the life that exists beyond its most famous events.
Guided by designer Daisuke Obana’s philosophy of deconstruction and reassembly, the capsule collection filters Baracuta’s British heritage through a minimalist and detail-oriented lens.
The fashion label grounds presented its SS26 collection in a raw, brutalist parking garage during Paris Fashion Week. The setting set the tone for what was inside.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
