Pyer Moss Fall/Winter 2016
by Malcolm Thomas






















“My demons won today. I’m sorry.” This was the final Facebook post of Black Lives Matter activist, MarShawn McCarell who shot himself, Monday. Saturday it was repurposed as a picket sign, held by a model in a Pyer Moss denim button-up. A holy harmony of voices was the backdrop. The choir sang such classics as: Future’s Trap Niggas and Fetty Wap’s R.G.F. Island along with James Weldon Johnson’s Lift Every Voice and Sing. What we in the African American community call our Black National Anthem. A poem, first performed as a song 116 years ago by a choir of segregated schoolchildren. Now a reminder of the lines which still divide us.
With Pyer Moss what you see is never what you get. “The topics that I’m choosing are not sexy fashion topics,” said Creative Director, Kerby Jean-Raymond. If you recall, his Spring/Summer 2016 collection centered around police brutality. It rattled the creative community. The aftershock caught singer-songwriter, Erykah Badu’s attention. This season they collaborated, building a collection entitled, “Double Bind”. Which in a nutshell, is about depression among other unsexy topics.
As the show’s stylist, Badu’s influence was immediately felt. Particularly, in what she termed, “workman’s hats” pricked with anti-depressant pins like, “Xanax” and “Zoloft”. Badu’s read, “LSD” and “Acid”. “Working class people deal with depression every day,” she said. “Normal bouts of depression are very common in all of us. Yet, we don’t seem to want to talk about it. We mask it in some kind of way,” she added.
However, if my winter blues can be masked in floor length double-breasted fur, a shearling cardigan or a, “You don’t have any friends in L.A.” tee, who needs Prozac when I’ll always have friends in New York?
GCDS Spring/Summer 2016 Campaign
Ikumi FW16 Backstage!
C.R.E.O.L.E.’s DOM TOP FEVER collection is a reckoning. It digs into displacement, memory, and the act of reclaiming stories that have been buried or distorted.
Entitled ‘The Boy Who Jumped the Moon’, this latest KidSuper collection explored key notions of naïveté, innocence and dreams, which are some of the defining characteristics of any childhood.
Hermès’ Spring/Summer 2026 collection moves in straight lines: clean, precise, effortless.
Kolor’s Spring/Summer 2026 collection plays with time, not in a heavy, sci-fi way, but with a light touch.
Louis Gabriel Nouchi’s Spring/Summer 2026 collection asks a question: Do androids dream of wet desires?
Willy Chavarria’s Spring/Summer 2026 runway show was a protest, a love letter, and a reclamation of dignity.
Take a look at Kenzo’s Spring/Summer 2026 backstage, captured by the lens of Thomas Lizzi during Paris Fashion Week, in exclusive for Fucking Young!
Take a look at LAZOSCHMIDL’s Spring/Summer 2026 presentation, captured by the lens of Rita Castel-Branco during Paris Fashion Week, in exclusive for Fucking Young!
From strippers to cake and condoms as souvenirs, the Carne Bollente party during Paris Fashion Week was the place to dance the night away.
Staged at the legendary club Maxim’s in Paris, NIGO takes us out clubbing with his collection for Kenzo.
JEANNE FRIOT presented her Spring/Summer 2026 collection, Resistance, during Paris Fashion Week, and left no room for metaphor.
JUUN.J’s Spring/Summer 2026 collection, “BOY-ISH,” turns fashion’s happy accidents into something intentional.
For White Mountaineering’s SS26 collection, designer Yosuke Aizawa looks back to the 1970s, when gear like Kelty’s aluminum frame packs and early Gore-Tex jackets redefined what clothing could endure.
A$AP Rocky took over Paris’ L’Eglise Protestante Unie de l’Etoile to prove one thing: what starts as a uniform, a necessity, or even something dismissed as “ghetto” can become the blueprint for luxury.
These are clothes designed for daily life, but with the same philosophical undercurrent: beauty that doesn’t conform, but adapts.
LAZOSCHMIDL’s Spring/Summer 2026 collection, Rendezvous, is a love story told through clothes
Take a look at Drôle de Monsieur’s Spring/Summer 2026 backstage, captured by the lens of Tiago Pestana during Paris Fashion Week, in exclusive for Fucking Young!
PUMA is bringing back the early 2000s track spirit with its reimagined H-Street sneaker.
Take a look at SYSTEM’s Spring/Summer 2026 backstage, captured by the lens of Tiago Pestana during Paris Fashion Week, in exclusive for Fucking Young!
Dior has always been a cultural language. For Summer 2026, Creative Director Jonathan Anderson plays with that lexicon, stretching its history into new shapes.
Take a look at CAMPERLAB’s Spring/Summer 2026 backstage, captured by the lens of Rita Castel-Branco during Paris Fashion Week, in exclusive for Fucking Young!
For Spring/Summer 2026, Ouest Paris dives deeper into its love affair with workwear, this time pulling inspiration from an unexpected place: NASA’s 1960s office culture.
GR10K’s Spring/Summer 2026 collection, Cramp’d, doesn’t just reflect modern saturation but leans into it.
Junya Watanabe Man doesn’t chase trends but circles back to them, turning the past into something quietly surprising.
The names roll off the tongue like a trumpet’s lazy riff: Vedado. Miramar. Malecón. Three corners of Havana, three moods, three stages for Drôle de Monsieur’s Summer 2026 collection.
Ryota Iwai, Founder and Creative Director of AURALEE, presented his Spring/Summer 2026 collection during Paris Fashion Week.
IM MEN presented its Spring/Summer 2026 collection, inspired by the legacy of ceramist Shoji Kamoda, during Paris Fashion Week.
With sophistication, straps, and sleaze, Rick Owens presented his collection “Temple” at the Palais de Tokyo.
Jonathan Anderson, Creative Director of the House, is preparing to present his first collection by Dior in one of the most emblematic places in Paris.
The collection speaks to those who know the weight of repetition but still hold space for possibility.