Munn SS20 Backstage!
by Adriano Batista














MÜNN kicks of LFWM with his partner exchange from Seoul, bringing his shakeup of formalwear to London for SS/20.
Hyun-min Han, who started the brand in 2013, continues to explore his alternate formalwear, parading a crew of young fresh male models in flowing, softer fabric suits, sandals, and hot-pants. This disruption of the archetypal male is continued with the attention to detail in accessorizing, draping diamante jewelry from the heads and necks of models and completing their look with a rust colored cat-eye makeup.
Backstage, Hyun-min Han expressed how this season’s looks were designed for the younger generation. While still playing with workwear, this collection clearly incorporated streetwear and sportswear. Many of the looks finished off with Nike 97 inspired trainers, drawstring cross-body sports bags and caps embroidered with neon logos.
Ever blurring the line between the feminine and masculine, one model stormed the runway in a streetwear puffer jacket decorated with a floral rose print. With fabrics in tie-dye and neon prints punctuating the collection, Hyun-min Han is on trend with many other London streetwear brands for SS/20.
Even with this disruption of archetypal masculinity, Han suggests that his use of formalwear continues to pay homage to the older traditional gentleman. Certain looks were punctuated with garment bags as models carried them down the runway as an accessory, almost as an imitation of adulthood and what is expected of the typical working male.
Playing with this idea and injecting youth and creativity into this symbol of traditional masculinity, the finale saw all the models dressed in MÜNN printed garment bags, with Han stating “I wanted people to be creative and imagine what is inside the bag.” With this idea, Han’s collection truly embodies the fresh, open-minded feeling of youth culture today.
Backstage photographed by Joel Smedley, in exclusive for Fucking Young!
Moschino Spring/Summer 2020
Liam Hodges SS20 Backstage!
We met Yoon Ambush – Founder and Creative Director of AMBUSH – in Paris during Men’s Fashion Week.
Les Benjamins has turned its attention to the tennis court with a new collection that mixes sport and style.
GUESS JEANS has officially arrived in Tokyo, opening its first Asian flagship store in the heart of the city’s fashion district.
WHOLE is a pilgrimage for the global queer community, a temporary world where joy, radical acceptance, and self-expression reign supreme.
Alexis Otero captured by the lens of Lucas Lei, in exclusive for Fucking Young! Online.
Levi’s® is celebrating Oasis’ long-awaited reunion with a new collection that combines the band’s iconic style with classic denim.
There’s no bitterness in the heartbreak here, just the sense that longing isn’t defeat, but proof you’re alive.
We had the chance to catch up with Ohio-born, Brooklyn-based designer Kody Phillips in his Paris Fashion Week showroom where he unveiled his Spring/Summer 2026 collection.
Dean and Dan doubled down on their love of fashion’s most dramatic moments, remixing 80s power dressing, 90s grunge, and 2000s excess into something entirely their own.
Gerrit Jacob’s latest collection, GAME OVER, isn’t about surviving the wild but about surviving the grind.
Telekom Electronic Beats (TEB) and 032c are turning 25, and they’re celebrating with a capsule collection and an installation by Harry Nuriev. Titled All is Sound.
Cult Korean menswear brand THUG CLUB teamed up with designer IZZY DU for an unforgettable dinner and afterparty at the mythical Lapérouse during Paris Fashion Week.
Jonathan Anderson has always treated fashion like a carefully assembled collection, mixing the unexpected, trusting his instincts, and binding it all together with a strong point of view.
The Palau Reial de Pedralbes provided the perfect backdrop as IED Barcelona unveiled its 21st Fashioners of the World showcase.
This season, Camper unveils its first collaboration with ISSEY MIYAKE’s Peu Form, designed by Satoshi Kondo.
A collection that exudes freshness, confidence, and a desire to write a new page in the history of the Maison.
“Poison Ivy” tells the story of a transfer student’s dangerous fixation with his school’s golden boy.
Aitor Santomé’s AHOY Diary on Board is a glitter-drenched, holographic love letter to queer joy, fashion, and the magic of the open sea.
Louis Vuitton has introduced its latest Silver Lockit 2025 collection, developed in partnership with Felix, the brand’s Ambassador and UNICEF Goodwill Ambassador for Korea.
The Salomon XT-6 wasn’t made for sidewalks. Born for punishing mountain trails and ultra-distance races, its technical DNA speaks to wilderness endurance.
Stéphane Ashpool has opened Souvenir Pigalle at 17 Rue Duperré, a place built on his memories of growing up in Pigalle.
The book challenges narrow ideas of beauty and masculinity by simply letting men exist, unpolished and unapologetic, across generations.
The Guggenheim Museum Bilbao has opened the Barbara Kruger exhibition, Another day. Another night., curated by Lekha Hileman Waitoller and sponsored by Occident. This exhibition expands her audience and influence while pushing the limits of modern art… »
Forget ironed polos and pristine blazers. Peter Wu’s Spring/Summer 2026 collection is a tribute to the thrifted sweaters, the cut-off Dickies, the flannel pajama pants worn to early morning lectures.
Amsterdam’s Daily Paper has teamed up with Oakley to reimagine the Gascan sunglasses, combining streetwear storytelling with technical innovation.
Berlin’s KitKat Club became the perfect runway for #DAMUR’s Spring/Summer 2026 collection, “Get Wet.”
COLRS unveiled its Spring/Summer 2026 collection “JUMPING FENCES” during Berlin Fashion Week, bottling the reckless energy of a Brazilian summer.
On July 1st at Berlin’s old Tempelhof Airport, BALLETSHOFER staged a runway show that challenged how we dress for travel.
At Berlin Fashion Week, Andrej Gronau presented its Spring/Summer 2026 collection, Alpine Fiction.
At Berlin Fashion Week, Orange Culture unveiled its Spring/Summer 2026 collection, “In the Shadows.”