The SS18 collection by Le Fix, Happy Nothing, is all about the search for what actually makes us happy in our daily life. The things we do often become known by heart, just constant repetitions, without us even recognizing them or thinking much about them. Le Fix aim to pause the hectic city life of fixed routines to reflect on how to find happiness – even in the smallest and most trivial things. This mission led us to the outskirts of Denmark to discover what makes the young generation, the ones located further away from metropolitan life, happy.
Le Fix teamed up with director Ian Isak from Copenhagen based production company Honeytrap Film to document the exploration into the simple, but happy life. Ian grew up in the countryside of Denmark himself and has always been fascinated by the culture that is tuned scooters, techno music and field racing. Ian, with the message of Happy Nothing as his inspiration, set out to portray these folks who us big city people might have trouble understanding. Ian wished to puncture, confirm and nuance the prejudices, which pervade these environments, while creating a visually striking and rousing insight into the lives of a group of young and restless kids.
CREDITS Director: Ian Isak Executive producer: Malene Dyhring Producer: Caroline Steenberg Dam Director of photography: Jacob Møller Editor: Anders Jon Petersen Sound design: Samuel Lehn @ Supersonic Composer: Simon Littauer Grade: Daniel De Vue @ Glassworks 2nd camera operator: Joao Botelho 1st AC: Lars Mortensen 1st AC: Frederik Lillie Rudolph Drone operator: Rasmus Gaardhøje Still photographer: Jesper Palermo Sound recordist: Jens De Place Stunt coordinator: Søren Hvam Special effects: Brian Svensson Graphics: Signe Emma Production company: Honeytrap Film
A special thanks to: All extras Everybody at Le Fix Red Rental Gaffers FilmGear Nordic Effects Cirkel K NCC Roads TITAN Containere A/S Ejendomsselskabet Gl. Køge Landevej ApS & NREP A/S
Oliver Sim teams up again with Bullion (Nathan Jenkins), who was behind the previous single “Obsession,” to deliver an electro-pop track that feels both playful and deeply personal.
What connects the craft of Puglia to the design language of Copenhagen? The answer, much like a good meal, lies in the ingredients and the care put into it.
Before his installation drops at Design Miami.Paris on October 22, we sent Rohan off to Paris Men’s Fashion Week with a disposable camera and no rules.
trônes 2 picks up where the 2023 edition left off, an exciting collaboration with Romain Bitton and continues our exploration of what a “throne” can mean today.
Imagine a scene of classic elegance: a garden party, silk gowns, a golden afternoon. Then, the sun becomes too bright. This is where MELLER introduces its new sunglasses, called BADU.
At 080 Barcelona Fashion, Andalusian label Lemāchet unveils an intimate, refined collection that turns nostalgia into a statement of style while it celebrates emotion as the new form of masculinity.
From October 15, 2025, to January 25, 2026, the Maison Européenne de la Photographie (MEP) in Paris will host Tyler Mitchell’s first solo exhibition in France, titled Wish This Was Real.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
