Choosing a CEO is serious stuff. It involves skills, responsibilities and above all knowledge. Therefore, Renzo Rosso sends a message to the people of the Internet: “Our CEO has left, leaving an empty space in our hearts, but most importantly an empty chair.”
As always, Diesel enjoys challenging the ordinary and the conformity that is flooding social networks, because again this time it’s not the usual job application that you find on LinkedIn, the position is actually of a Chair Executive Officer. This time neither an MBA degree nor financial skills will serve the purpose, “first of all, you have to be good at sitting“, says Diesel’s founder.
Starting from October 5th, the wannabe Chair Executive Officers will only have 4 days to
showcase their indisputable ability to sit in a way that is absolutely different from others
through a GIF or a video to be uploaded on the brand’s Facebook page.
The collaboration between JW Anderson and film director Luca Guadagnino does not produce a garment or a bag. Instead, it creates an object for a desk: a set of bronze peach paperweights.
Barcelona’s Moco Museum opened a new Banksy exhibition! Titled New Works by Banksy, the show presents twenty-five original pieces. Some of these works have never been shown in a museum before.
Aún es pronto para ser feliz isn’t looking for answers. It sits in the discomfort, embracing the idea that maybe, right now, not being okay is part of the process.
Marnix Eyckmans photographed by Aitana Valencia and styled by Ana San José with SS26 pieces from Dior Men, for the DREAMCORE issue of Fucking Young! magazine.
Madrid is preparing to welcome one of the most powerful emerging voices on the indie scene: Sombr, the young New York artist who has turned his raw sensitivity and generational vision into a global phenomenon.
Chino Amobi’s new project, “Eroica II: Christian Nihilism”, marks a striking and deeply personal return from an artist known for expanding the edges of sound, image, and storytelling.
Arts of the Earth at the Guggenheim Museum Bilbao is an ambitious exhibition on humanity’s shifting relationship with our planet, soil, and biodiversity.
Inspired by the folklore and spirit of flamenco, the collection captures the movement and emotion of the dance through silhouettes, contrasts, and details.
MODUS VIVENDI presents its Fall-Winter Black and White edition, a collection that drifts in from a retro art universe and lands right inside the pulse of modern urban life. The vibe is graphic, fluid and inclusive, as… »
There’s a quiet light that runs through Óscar Casas’ work, an energy that feels both instinctive and deliberate, like someone who has learned to move between dream and reality with ease.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
