For his new designs, Victor was inspired by the Asian mafia movies of the 80s and 90s, whose operations center was in the red-light districts of cities like Taipei and Hong Kong.
We had the chance to speak with Victor before he presented his collection in the Barcelona Museum of Contemporary Art, and here’s what he told us:
La Triada. Tell us a bit about the new collection that you present at 080 Barcelona Fashion.
The triads are the mafia gangs in the cities of HK, Taipei, and some cities in China. This collection is about the mobsters and the whole world in which they moved. Nightlife, fancy wives, people from the slums who suddenly have access to a lot of money… All of this clearly brought to our ground. With bright fabrics and both masculine and feminine silhouettes.
How would you define the boy in this collection?
He is a boy who flees from norms and classic masculinity. He wears shiny sequined and silver laminated fabrics, transparencies, and satins.
Part of your success is that many celebrities wear your brand. Which ones would you say have made you most excited? Any anecdote you can tell?
The first one that made me very excited was Jolin Tsae, who is the most famous singer in C-pop. Another was obviously Rosalia who really opened many doors for me to dress other celebrities in the future. It’s funny because at that time she had less followers than me and look at her now!
How was the experience of recording the video for the presentation of the collection at MACBA?
The MACBA is a very clean and spacious place, it’s almost a giant set. Allows you to work in the way you like best without many elements limiting you.
What advice would you give to a young designer that you would have liked to receive?
Perseverance, a lot. Things don’t work out the first time, but they do.
Any special project you want to tell us about?
We are working on some costumes for a Netflix production but I can’t tell you more about it. It’s a surprise! 😉
Because home should never be denied to anyone. In a world where home shouldn’t be a privilege but a right, artist and activist Charlie Smits is stepping up. Smits has teamed up with Fundación… »
Craig Green’s Spring/Summer 2026 collection feels like a half-remembered dream with shapes you recognize, but shifted just enough to make you look twice.
Photographer Denzil Jacobs presents a selection of eclectic looks photographed on the streets of Paris during Men’s Paris Fashion Week, outside Amiri, Rick Owens, 3.Paradis, Kidsuper and more, exclusively for Fucking Young!
VIKTORANISIMOV chose an unlikely stage for its first Berlin Fashion Week presentation: a former telecommunications bunker, now The Feuerle Collection museum.
After the show, designer Feng Chen Wang caught up with us, to open up about the emotion behind this collection, and the brand’s evolving identity – accompanied by backstage moments captured by Leiya Wang.
Take a look at DOUBLET’s Spring/Summer 2026 backstage, captured by the lens of Rita Castel-Branco during Paris Fashion Week, in exclusive for Fucking Young!
Take a look at KIDSUPER’s Spring/Summer 2026 backstage, captured by the lens of Tiago Pestana during Paris Fashion Week, in exclusive for Fucking Young!
For Camiel Fortgens’ SS26, models walked the actual streets of Paris during Fashion Week, portable speakers in hand, each playing a fragment of the show’s soundtrack.
Created with artist Samuel de Sabóia, the lineup weaves together regeneration, spirituality, and a question: What does the future of fashion look like?
For their SS26 show, the adidas and Yohji Yamamoto collaboration traded the standard runway for something more visceral: a four-act performance directed by choreographer Kiani Del Valle.
After showing off-calendar for two seasons in a presentation format, the 2023 LVMH Prize-nominated designer Kartik Kumra is now the first Indian designer to be on the official menswear calendar.
SANKUANZ’s Spring/Summer 2026 collection finds its heartbeat in Tara, the Tibetan Buddhist goddess who exists between two worlds, both enlightened and earthly.
For SS26, Hung La’s LỰU ĐẠN closes its trilogy “MAYHEM,” “YOU DON’T BELONG HERE,” and now “NO MAN’S LAND”, with a collection that stares straight at the people society ignores.
Marine Serre‘s Spring/Summer 2026 collection is about the quiet revolution happening in every stitch. Titled THE SOURCE, this is clothing that moves with purpose, crafted by hands that treat savoir-faire not as a relic, but as rebellion.
C.R.E.O.L.E.’s DOM TOP FEVER collection is a reckoning. It digs into displacement, memory, and the act of reclaiming stories that have been buried or distorted.
Entitled ‘The Boy Who Jumped the Moon’, this latest KidSuper collection explored key notions of naïveté, innocence and dreams, which are some of the defining characteristics of any childhood.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.