What’s new about the hysteric girl rolling her body in the church floor while mimicking to her latest single? Nothing. It’s probably a new face and certainly her clothes have been updated. Still, it’s that same archetype woman, or gay man, that needs to have a Madonna moment crying out loud how bad she’s possessed by a male. Histrionic females (I’m including myself in the lead) are doomed. Doomed to be rejected precisely by the man they wanted to be loved by. We’ve came to accept this as a dominant and unsolvable criteria of the universe. No matter whom that guy might be: if you’re madly possessed, he will madly ditch you. Accept it. Take a pill; and have yourself a Florence/Madonna moment in front of your bathroom mirror, at least, twice a day. The psychology that feeds this process is simple: feeling the latent and eminent rejection that the male object is covering, a histrionic woman, will take it as a challenge and determines unconsciously to commit her whole self into buying those extra 60% of male love lacking from the relationship since the very beginning. Seems wicked? No. It’s just girlish. Girls will only desire what they feel it’s unavailable; and when it comes to men, the less available they are, the more obsessed they’ll be. Think shoes. Have you ever come across to a shoe fight at a Zara store? No. But you’ve certainly seen females being backstabbed over some vintage Chanel flats lost in the flea market racket of some Pakistani guy. Yes. They might cost the same, and probably both will make an impact (at least male wise concerned impact): but truth is, women will love the very object that says: unavailable, crime scene, or war zone. It’s the curse of beauty: to forever miss what you couldn’t have, and easily dismiss what you already have. End.
Francisco Terra’s 15th-anniversary collection for Maldito is a midnight ride through memory, a fever dream of teenage longing stitched into lace and rhinestones.
In a time of movement and uncertainty, Estelita Mendonça’s Spring/Summer 2026 collection questions what clothing means when stability feels like a luxury.
Take a look at C.R.E.O.L.E’s Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during Paris Fashion Week, in exclusive for Fucking Young!
Glenn Martens’ Maison Margiela Artisanal collection doesn’t just borrow from history, but it fractures it, reassembles it, and wears it like a second skin.
For Spring/Summer 2026, AV Vattev’s Bohème collection takes its cues from two iconic worlds: the effortless cool of French New Wave cinema and the raw energy of British music subcultures.
Concrete Husband talks about turning psychological collapse into industrial soundscapes, confronting darkness on Berghain’s dancefloor, and why dark techno is, above all, sexy.
We had the chance to catch up with Ohio-born, Brooklyn-based designer Kody Phillips in his Paris Fashion Week showroom where he unveiled his Spring/Summer 2026 collection.
Dean and Dan doubled down on their love of fashion’s most dramatic moments, remixing 80s power dressing, 90s grunge, and 2000s excess into something entirely their own.
Telekom Electronic Beats (TEB) and 032c are turning 25, and they’re celebrating with a capsule collection and an installation by Harry Nuriev. Titled All is Sound.
Cult Korean menswear brand THUG CLUB teamed up with designer IZZY DU for an unforgettable dinner and afterparty at the mythical Lapérouse during Paris Fashion Week.
Jonathan Anderson has always treated fashion like a carefully assembled collection, mixing the unexpected, trusting his instincts, and binding it all together with a strong point of view.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.