We never know when or where Hedi Slimane will take us next with CELINE, and we are in for the ride! Directed by Slimane, Symphonie Fantastique filmed earlier this year in the Mojave Desert and Los Angeles has just been released.
The Winter 24 collection sees the return of tailoring in Hedi Slimane’s purist sartorial style. The “i” line is indicative of his silhouette as well as 1960s tailoring inspired by nineteenth-century Anglomania. The frock coats, three-buttoned suits, and hand-embroidered waistcoats are all made from the most expensive and exquisite fabrics, including silk, cashmere, and vicuna. Matte black, satin, and lacquered are prevalent throughout the collection.
The name comes from Hector Berlioz’s “Symphonie Fantastique” which in 1969 Leonard Bernstein described as the first psychedelic symphony ever composed, and more than 100 years before the dawn of the movement in the late 1960s. Slimane found the “Symphonie Fantastique” at the age of 11 and fell enamored with the beautiful musical work. Hector Berlioz was only 26 years old when he began an obsessive romance with English actress Harriet Smithson, which inspired him to compose the work in Paris in 1830.
“Now I’m sure that any of you who has ever had a crush on someone who didn’t return your feelings will understand that passionate melody perfectly, and you can easily see how a lovesick musician could become obsessed with it. and if you understand that, you’re ready to hear the symphony“. Stated Leonard Bernstein in May 1969.
“There is something new to be done,” wrote Berlioz in 1830 “and a lot of it, I feel with extreme energy”. Critics were caught away by its modernity at its initial public display, describing it as “the almost inconceivable strangeness that one could ever imagine“.
Aún es pronto para ser feliz isn’t looking for answers. It sits in the discomfort, embracing the idea that maybe, right now, not being okay is part of the process.
Marnix Eyckmans photographed by Aitana Valencia and styled by Ana San José with SS26 pieces from Dior Men, for the DREAMCORE issue of Fucking Young! magazine.
Madrid is preparing to welcome one of the most powerful emerging voices on the indie scene: Sombr, the young New York artist who has turned his raw sensitivity and generational vision into a global phenomenon.
Chino Amobi’s new project, “Eroica II: Christian Nihilism”, marks a striking and deeply personal return from an artist known for expanding the edges of sound, image, and storytelling.
Arts of the Earth at the Guggenheim Museum Bilbao is an ambitious exhibition on humanity’s shifting relationship with our planet, soil, and biodiversity.
Inspired by the folklore and spirit of flamenco, the collection captures the movement and emotion of the dance through silhouettes, contrasts, and details.
MODUS VIVENDI presents its Fall-Winter Black and White edition, a collection that drifts in from a retro art universe and lands right inside the pulse of modern urban life. The vibe is graphic, fluid and inclusive, as… »
There’s a quiet light that runs through Óscar Casas’ work, an energy that feels both instinctive and deliberate, like someone who has learned to move between dream and reality with ease.
Out of Australia’s sticky summer nights comes Full Flower Moon Band — a name that’s gone from whispered cult obsession to one of the country’s most ferocious live exports.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
