You’ve certainly seen Shaun Ross before. His unique turned iconic physique was refreshing and inspired many people to feel comfortable and confident with themselves! Today, inspired by such notorious musicians as Meshell Ndegeocello, Amel Larrieux, and Lalah Hathaway, Shaun turns his attention to music by dropping the trippy ”Symmetry” video! We caught up with him to discover a little bit more about this project!
Shaun, any particular reason you decided to channel your energy into music at this point of your career?
Music really needs it, the world really needs it. Too often do I come across things that aren’t really inspiring because they were inspired by the jump. Everyone is infatuated with being everything else but themselves so I took it upon myself to really tap into my in conscious and create with an amazing artist like Rush Davis & Brook D’Leau Ro create a lane for myself in the music industry.
Your promo picture hints at your fashion career, the music video though is the total opposite, was this intentional?
I had to grasp the attention of others by allowing them to know it’s me who is singing and then I wanted to take them into the world I’m trying to create for myself. I think it will be a while until people physically see me in my own videos
What are you listening to right now and who are your biggest musical references?
In very inspired by sound and artist like Amel Larrieux, Lalah Hathaway, Meshell Ndegeocello and more. The approach they’ve taken towards the world is amazing and never gets old to me. They have curated the sounds of so many today.
How the production process happens in your case, are you self-producing your music or working with someone else?
The ideas stem from the experiences people have with me such as close friends. I’ve been working with Singer/ Songwriter Rush Davis along with former Group member Brook D’Leau from J’Davey. It’s been amazing the chemistry that we have and what we have been building with each other.
Any particular reason to name your single ’Symmetry’ what does it represent to you?
We are always judged by the things that don’t matter from the clothes we wear to the cars we drive but it doesn’t make me less of a person if you aren’t looking at what’s inside of me. Beauty is Symmetry because we are all the same inside filled with a ray of light no one can deny
What are your plans for this project, you are thinking about live performances?
The wait and speculation are over. Almost a month after Francesco Risso’s departure, Marni now has a new Creative Director: Belgian designer Meryll Rogge.
Spanish-Nigerian designer Wekaforé Jibril has made history with the opening of his first standalone boutique in Barcelona, becoming the first Black designer to establish a flagship store in Spain.
“It’s an honour to work with Burberry,” Wu said. “The brand’s dedication to its heritage and innovation results in pieces that never fail to amaze. I look forward to discovering what we’ll create together.”
C2H4® is slowing down. Instead of chasing seasons, their R011 Collection is built to last: one carefully crafted lineup per year, designed to stay relevant long after the trends fade.
HAIKURE’s SS26 collection, Come As You Are, is for people who want to feel good without the effort, who wear clothes that fit their lives, not the other way around.
Glass Cypress’s Spring/Summer 2026 collection, The Ones Who Flee, is a meditation on movement, not just physical escape, but the deeper act of resisting what binds us.
Francisco Terra’s 15th-anniversary collection for Maldito is a midnight ride through memory, a fever dream of teenage longing stitched into lace and rhinestones.
In a time of movement and uncertainty, Estelita Mendonça’s Spring/Summer 2026 collection questions what clothing means when stability feels like a luxury.
Take a look at C.R.E.O.L.E’s Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during Paris Fashion Week, in exclusive for Fucking Young!
Glenn Martens’ Maison Margiela Artisanal collection doesn’t just borrow from history, but it fractures it, reassembles it, and wears it like a second skin.
For Spring/Summer 2026, AV Vattev’s Bohème collection takes its cues from two iconic worlds: the effortless cool of French New Wave cinema and the raw energy of British music subcultures.
Concrete Husband talks about turning psychological collapse into industrial soundscapes, confronting darkness on Berghain’s dancefloor, and why dark techno is, above all, sexy.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.