Following the metal vibes of her previous banger STFU! London-based multidisciplinary artist Rina Sawayama shares the video to her latest single ‘Comme Des Garçons (Like the Boys)’ right in time for the fashion week. Contrary to the joyful violence of STFU! Rina proposes a poppier and pulsating club track which describes trying to alchemize the confidence of the gay men that have always shown Rina, love.
The video, directed by Eddie Whelan and creatively directed by Ben Ditto, see’s Rina embrace the otherworldliness of masculine confidence – a space-age reflection of the track’s themes. With shifting shapes, movement and colors‘ Comme Des Garçons (Like the Boys)’ pays homage to the fashion houses, their iconic logos sprawled across the visuals for this 90’s inspired video.
We’re absolutely excited for her upcoming debut album dropping April 17th via Dirty Hit.
Ann Demeulemeester’s Pre-Spring 2026 collection is about listening. The designer steps back, not to dwell on the past, but to let the house’s own history speak, then moves forward without force.
Pitti Uomo’s 108th edition focused on daring fashion experimentation and creative exploration, showcasing inventiveness characterized by eclecticism in addition to a forward-thinking outlook of all things sartorial.
A$AP Rocky just redefined an icon. In collaboration with Ray-Ban, he’s transformed the classic Wayfarer into something entirely fresh, the Wayfarer Puffer.
The Polimoda Graduate Show 2025 kicked off Pitti Uomo’s 108th edition, presenting twenty collections from emerging designers that prioritized raw creativity over commercial appeal.
Pitti Uomo 108 in collaboration with Japan Fashion Week Organization takes us backstage at the first international runway show for Japanese brand Children of the Discordance.
On a sunny Paris day, we caught up with Damien for a little chat in a park, because talking poetry on a sunny day in Paris on a weekday feels more than right.
We talked with Ecstasya about her hiatus, the struggle of keeping Lisbon’s first queer hardcore night (Maythey) alive, and why the best tracks come from being “sad as fuck.”
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
