In reincarnation, it is believed there is an interval between the end of one life and the beginning of the next life. Designer Julius Juul was intrigued by the concept of an intermediate state in which an object or entity is in transition between two stages. Not being in the original stage or the new stage, but existing only in the transitional stage. Manifesting the transitional phase as a permanent structure. A ‘Permanent Metamorphosis’.
This concept gave way for garments in the collection to be explored as transitional pieces in which different phases of the transition were expressed. Asymmetrical patterns and shape modifications conveyed the concept of work in transition. Prints in the collection were generated using artificial intelligence to find the intermediate stage in an image in between various images.
In relation to this concept designer Julius Juul constructed the collection with the familiar HELIOT EMIL silhouettes, and continues the constant narrative of exploring a balance between form and function with each garment design.
We had the chance to catch up with Ohio-born, Brooklyn-based designer Kody Phillips in his Paris Fashion Week showroom where he unveiled his Spring/Summer 2026 collection.
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The Guggenheim Museum Bilbao has opened the Barbara Kruger exhibition, Another day. Another night., curated by Lekha Hileman Waitoller and sponsored by Occident. This exhibition expands her audience and influence while pushing the limits of modern art… »
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Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.