Moschino Fall/Winter 2016
by Adriano Batista

































Jeremy Scott unveiled his Fall/Winter 2016 collection for Moschino during London Collections Men.
When Jeremy Scott visited Gilbert & George for tea, the designer told the artists how he loves the way clothes appear in their monumental body of work, The Pictures. To create depth and movement or, at least, this illusion in these gridded, saturated 2D photographic assemblies, the artists emphasise the dark indentations of shadow and flashes of light at fold and seam.
Might, Scott respectfully enquired, they consider allowing Moschino to recreate the effect on real clothing? To add their 2D to Scott’s 3D, then see what dimension we land in?
Not only were Gilbert & George 100 per cent in, but they also invited Scott to sample anything he desired from their illustrious archive of work for this collection. “How thrilling Jeremy loves our art so much he wants to put it all over his trousers!” they said.
Scott added: “There are so many reasons why Gilbert & George’s work resonates so strongly with me: the saturated colors, the slogans, the provocative nature of so many of their subjects. I feel not only a visual attachment to their art but an emotional bond as well. So it’s an honor to bring their art into my fashion and create a hybrid of the two.”
The result? A highly wearable body of work that revels in the punch and dissent of British Art’s filthiest, responsibly-suited iconoclasts as interpreted in cloth by fashion’s pre-eminent subverter of the pop and iconic. From The Pictures there are collaged coats, knit cardigans and MA-1 jackets with patches of the artists’ images of young men’s faces. You’ll see typography, words and phrases from Gilbert & George’s art.
A further group with tailcoats and sharp suits is peppered with crucifix patches that recall their 1982 piece entitled YOUTH FAITH. The tightened grids and grenade flower-bursts on suits and bombers strongly relate to the walls of the Tate. Scott found one G&G subject captured for posterity, wearing a vintage Moschino peace-print tee: so, in a doubly-reflexive semiotic pirouette, Scott reappropriated the print then twisted it into jacquards. The house Moschino question mark logo is reflected over itself in a nod to that Gilbert & George touchstone. And Scott assembled his own hyper-colour collage of the artists’ abstract images on woollen topcoats, jeans and M-65’s. Because both artists and designers are anti-establishmentarians to their cores, there’s a fiery blast of punk and plenty of future-facing gender crossover.
Machine Gun Kelly for Joshua Kane LC:M AW16
Astrid Andersen Fall/Winter 2016
The wait and speculation are over. Almost a month after Francesco Risso’s departure, Marni now has a new Creative Director: Belgian designer Meryll Rogge.
Spanish-Nigerian designer Wekaforé Jibril has made history with the opening of his first standalone boutique in Barcelona, becoming the first Black designer to establish a flagship store in Spain.
“It’s an honour to work with Burberry,” Wu said. “The brand’s dedication to its heritage and innovation results in pieces that never fail to amaze. I look forward to discovering what we’ll create together.”
ICECREAM EU has teamed up with END. to launch a special capsule collection celebrating END.’s 20th anniversary.
Harrison Sheehan photographed and styled by Carlos Venegas, in exclusive for Fucking Young! Online.
The Studio Archive is a new series releasing original Polaroids taken by the founder of Dominic Albano Collection.
C2H4® is slowing down. Instead of chasing seasons, their R011 Collection is built to last: one carefully crafted lineup per year, designed to stay relevant long after the trends fade.
We had the opportunity to chat with Martin about the great skincare reset and what we can learn from Danish clean beauty.
HAIKURE’s SS26 collection, Come As You Are, is for people who want to feel good without the effort, who wear clothes that fit their lives, not the other way around.
Daniel Solano captured by the lens of Arthur Coelho and styled by Dana Fracalossi, in exclusive for Fucking Young! Online.
For his second couture show closing Haute Couture Week, Kevin Germanier chose to have fun.
Glass Cypress’s Spring/Summer 2026 collection, The Ones Who Flee, is a meditation on movement, not just physical escape, but the deeper act of resisting what binds us.
For Oakley, it’s been five decades of innovation, turning science into design, and refusing to blend in.
Alan Crocetti’s latest collection, Hard Core Fantasy, is a deeply personal exploration of identity, desire, and self-protection through jewelry.
Francisco Terra’s 15th-anniversary collection for Maldito is a midnight ride through memory, a fever dream of teenage longing stitched into lace and rhinestones.
LARUICCI’s Spring/Summer 2026 collection bottles the chaotic charm of early 2000s Hollywood.
PRISMA’s latest collection isn’t about hiding but about what happens when you stop trying to.
HEREU is marking its 10th anniversary with Memory. A Play of Twos, a photobook that captures a decade of creative exchange.
In a time of movement and uncertainty, Estelita Mendonça’s Spring/Summer 2026 collection questions what clothing means when stability feels like a luxury.
We talked with Ziggy Chen to learn more about the thinking behind PRITRIKE, his process and his relationship with materials.
Take a look at C.R.E.O.L.E’s Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during Paris Fashion Week, in exclusive for Fucking Young!
Glenn Martens’ Maison Margiela Artisanal collection doesn’t just borrow from history, but it fractures it, reassembles it, and wears it like a second skin.
This weekend, Eastpak reminded us that backpacks aren’t just carriers of belongings – they’re carriers of stories, creativity, and identity
For Spring/Summer 2026, A. A. Spectrum finds inspiration in quiet moments, the natural ease of creativity, and the unforced beauty of renewal.
For Spring/Summer 2026, AV Vattev’s Bohème collection takes its cues from two iconic worlds: the effortless cool of French New Wave cinema and the raw energy of British music subcultures.
Concrete Husband talks about turning psychological collapse into industrial soundscapes, confronting darkness on Berghain’s dancefloor, and why dark techno is, above all, sexy.
Maciej Poplonyk photographed by Arthur Iskandarov and styled by Egor Telenchenko, in exclusive for Fucking Young! Online.
Titled “YOU DO NOT BELONG HERE,” the visuals strip away ambiguity, trading fantasy for sharp, cinematic storytelling.
We met Yoon Ambush – Co-founder and Creative Director of AMBUSH – in Paris during Men’s Fashion Week.