A Menswear Moment at the Royal Academy of Fine Arts in Antwerp
by Philippe Pourhashemi
Acknowledged as one of the top fashion schools in the world, Antwerp’s Royal Academy of Fine Arts, whose fashion department is led by charismatic Walter Van Beirendonck, lived up to its reputation last weekend, putting on an energetic, bold and inspiring show, full of directional ideas and strong points of view.
This wave of restless creativity seemed to affect students in each year, as they worked hard to showcase their talent and best garments. The 2nd Year collections were particularly strong this time, and there were also a few gems in the 3rd Year, but the audience waited anxiously to see what the 4th -and Final Year- graduates had come up with.
Six students were part of this cherished group and two menswear collections clearly stood out with their subtle intricacy and uncompromising approach. Emmanuel A. Ryngaert named his show “Meccano”, making his garments seem like a Lego fantasy come to life. Inspired by modular furniture and the classic tool box, he made pieces from squares, sticks and circles. The silhouette was pumped-up and playful, using man-made fabrics and primary tones to emphasize streamlined shapes. Accessories were exciting, too, ranging from reworked trainers and abstract key chains to graphic bags and colored shades. Shot by talented Belgian photographer Michaël Smits, Ryngaert’s campaign managed to emphasize his modernist and radical approach, reinventing the menswear silhouette to striking effect.












Naming his collection “Brink” seemed logical for Timo Zündorf, whose beautifully tailored pieces were on the verge of sudden transformations. Mixing recycled materials with noble fabrics, such as textured leather, handmade knits and Mongolian lamb, the German student referenced photographer August Sander and the idea of the peacock, reworking the concept of the traditional male wardrobe to make it modern. Patchwork effects and intensive textile treatments -such as tie dye for instance- gave energy to his impeccably cut suits, shirts and coats. Once broken down, his looks had many pieces to fall for, a clear sign that despite the alluring drama of the show, the Academy knows how to train students to become accomplished designers, balancing memorable images with intelligent clothes.














Photos by Etienne Tordoir
Introducing Nufferton
GUYS
actual
A Menswear Moment at the Royal Academy of Fine Arts in Antwerp
previous
Introducing Nufferton
next
GUYS
Marwan El Anbari and Hiago Paulino photographed by Joey Leo and styled with pieces from Lito Fine Jewelry, in exclusive for Fucking Young! Online.
This woven model is the latest addition to the Tormenta line, joining the original version and a semi-open style from the previous season.
This product represents a new idea of luxury, one built on absolute precision brought to everyday life.
Check out below the collection captured at VETEMENTS’ backstage, captured by Rita Castel-Branco, in exclusive for Fucking Young!
American designer Thom Browne presented his Spring/Summer collection during Paris Fashion Week.
Art lovers, save the date. Art Basel Paris 2025 arrives this October as a reaffirmation of Paris’s position in the global contemporary art world.
For its Fall/Winter 2025 campaign, Willy Chavarria introduces a new chapter called EXACTAMENTE.
Farah introduces The Archive, a 16-piece capsule collection that steps into its own history.
Our photographer Emil Huseynzade went backstage at ModaLisboa to capture the menswear looks from SANGUE NOVO, in exclusive for Fucking Young!
Zach Delf photographed by Sanem Ozman and styled by Talia Voon, in exclusive for Fucking Young! Online.
For its Spring/Summer 2026 collection, Rhude explores the idea of the Renaissance Man.
Trashy Clothing’s Spring/Summer 2026 collection is called “Bikini Diplomacy.” It begins with a feeling of déjà vu.
Sandro Vepkhvadze photographed and styled by Beka Gulva, in exclusive for Fucking Young! Online.
Duran Lantink’s first collection for Jean Paul Gaultier is called “JUNIOR.”
With this collection, Ludovic de Saint Sernin crowns a new aristocracy. In this world, elegance is a form of liberation, sensuality is power, and the ultimate luxury is belonging.
Maison Kitsuné presents its SS26 collection, titled Voyage Vestiaire. This season marks the debut of the house’s new Creative Director, Abigail Smiley-Smith.
Lacoste’s Spring/Summer 2026 collection, The Locker Room, shows us the moment when each player steps into their purpose.
Alessandro Michele unveils his Valentino SS26 collection, “Fireflies,” a sartorial manifesto inspired by Pier Paolo Pasolini’s writings on finding light and desire in the dark.
Ann Demeulemeester is known for creating a strong contrast between structure and softness, but for Spring/Summer 2026, it was the softer side that came out.
We talked with HOLD NYC about how Hustlers redefines what it means to dress and to hustle today.
BOSS, in collaboration with the Aston Martin Aramco Formula One Team, is offering a new way to experience racing.
For her first-ever trainer collaboration, London-based designer Priya Ahluwalia has partnered with PUMA to reconsider the iconic Suede.
Photographer Angelo Pennetta captured DiMarco in the streets and small shops of the 11th arrondissement.
Artist Josué Thomas presents a photographic project titled I ♥ Paris (quand ce n’est pas la fashion week). It is a meditation on the city, focusing on the life that exists beyond its most famous events.
Guided by designer Daisuke Obana’s philosophy of deconstruction and reassembly, the capsule collection filters Baracuta’s British heritage through a minimalist and detail-oriented lens.
Kyle Ponte captured by the lens of Dylan Perlot and styled by Dina Vibes, in exclusive for Fucking Young! Online.
“Paul Smith Loves Barbour” offers twenty-three reimagined classics. It includes iconic coats, knitwear, and accessories.
The fashion label grounds presented its SS26 collection in a raw, brutalist parking garage during Paris Fashion Week. The setting set the tone for what was inside.
The act of getting dressed is a personal audition for the day ahead. We create a silhouette and try on different versions of ourselves until the look fits the part we want to play.
Luxury house TOM FORD, creatively directed by Haider Ackermann, presented its Spring/Summer 2026 collection at Paris Fashion Week.