Talented French multidisciplinary artist Lucky Love is currently in everyone’s mouth since his mesmerizing performance at the opening of the Paris 2024 Paralympic Games last summer. Actor, activist, model, musician…we can’t put him in a box and can’t describe how unique his art is. His first album I Don’t Care If It Burns is out and seems already to be the end-of-the-year record that we will keep going on repeat. His track Masculinity, released two years ago is now a self-acceptance anthem and became his first commercial success. To promote his highly anticipated first album, he just revealed the music video of one of the most catchy songs on the project, Happy On My Own starring French actress and Emily Cooper favorite rival, Camille Razat. It’s a pure feel-good visual and we hope this single will be as successful as the beginnings of Luc Bruyère, world-widely known now as Lucky Love.
Marnix Eyckmans photographed by Aitana Valencia and styled by Ana San José with SS26 pieces from Dior Men, for the DREAMCORE issue of Fucking Young! magazine.
Chino Amobi’s new project, “Eroica II: Christian Nihilism”, marks a striking and deeply personal return from an artist known for expanding the edges of sound, image, and storytelling.
Arts of the Earth at the Guggenheim Museum Bilbao is an ambitious exhibition on humanity’s shifting relationship with our planet, soil, and biodiversity.
Inspired by the folklore and spirit of flamenco, the collection captures the movement and emotion of the dance through silhouettes, contrasts, and details.
MODUS VIVENDI presents its Fall-Winter Black and White edition, a collection that drifts in from a retro art universe and lands right inside the pulse of modern urban life. The vibe is graphic, fluid and inclusive, as… »
There’s a quiet light that runs through Óscar Casas’ work, an energy that feels both instinctive and deliberate, like someone who has learned to move between dream and reality with ease.
Out of Australia’s sticky summer nights comes Full Flower Moon Band — a name that’s gone from whispered cult obsession to one of the country’s most ferocious live exports.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
