House of Holland Spring/Summer 2020
by Chidozie Obasi
It was a walk that spoke real dynamism and force: House of Holland’s latest collection saw 1970’s Disco movements and rave culture of the 1990s, blending to form an open dialogue to the pleasure party seekers, the heavy dance floor hitters, and the music lovers.
The collection epitomizes the archetypal night time wardrobe of “look-at-me” dresses, and don’t-touch-me tailoring. The palette was pretty cheerful, including the likes of bright neon lime, pastel pinks, and blue organza, delicately layered over activewear and burgeoning an attention-seeking a range of looks. Sharp tailoring propositions were updated in purple silk moiré’, with black satin tuxedo lapels. Tuck pleating and paneled monochrome satin are worked into both maxi and micro dresses, with a fluid movement. Denim stays a key element in the collection, and is re-worked into blonde, stone-wash outerwear with paracord weave detail. Metallic rainbow lurex, chenille guipure lace, glazed leather, and textured snakeskin create a bold story, nudging to a golden disco era.
Performance trainer’s footwear, which has been created as part of an athleisure wear partnership with leading Chinese sportswear brand Xtep, it’s been featured throughout the collection and is showcased in full during the show’s finale.
A collaborative look with finance solution Klarna appears as part of an innovative activation. Elsewhere, the City Runner capsule encompasses a concise performance running capsule that works with technical fabrications into multi-purposeful casual pieces, fronting streetwear silhouettes with House of Holland’s aesthetic. The collection perfectly captures the duality of sport and street fashion, creating a modern, fresh, and youthful aesthetic. Tie-dye prints, previously spotted at House of Holland’s Pre-Fall collection, are reworked into an acid lime and teal for menswear and psychedelic peach stories for the womenswear collections.
Natasha Zinko x Duo Spring/Summer 2020
House of Vans Barcelona Announces Full Line Up Celebrating the Best of the Cities Culture and Beyond
We had the opportunity to chat with Martin about the great skincare reset and what we can learn from Danish clean beauty.
HAIKURE’s SS26 collection, Come As You Are, is for people who want to feel good without the effort, who wear clothes that fit their lives, not the other way around.
Daniel Solano captured by the lens of Arthur Coelho and styled by Dana Fracalossi, in exclusive for Fucking Young! Online.
For his second couture show closing Haute Couture Week, Kevin Germanier chose to have fun.
Glass Cypress’s Spring/Summer 2026 collection, The Ones Who Flee, is a meditation on movement, not just physical escape, but the deeper act of resisting what binds us.
For Oakley, it’s been five decades of innovation, turning science into design, and refusing to blend in.
Alan Crocetti’s latest collection, Hard Core Fantasy, is a deeply personal exploration of identity, desire, and self-protection through jewelry.
Francisco Terra’s 15th-anniversary collection for Maldito is a midnight ride through memory, a fever dream of teenage longing stitched into lace and rhinestones.
LARUICCI’s Spring/Summer 2026 collection bottles the chaotic charm of early 2000s Hollywood.
PRISMA’s latest collection isn’t about hiding but about what happens when you stop trying to.
HEREU is marking its 10th anniversary with Memory. A Play of Twos, a photobook that captures a decade of creative exchange.
In a time of movement and uncertainty, Estelita Mendonça’s Spring/Summer 2026 collection questions what clothing means when stability feels like a luxury.
We talked with Ziggy Chen to learn more about the thinking behind PRITRIKE, his process and his relationship with materials.
Take a look at C.R.E.O.L.E’s Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during Paris Fashion Week, in exclusive for Fucking Young!
Glenn Martens’ Maison Margiela Artisanal collection doesn’t just borrow from history, but it fractures it, reassembles it, and wears it like a second skin.
This weekend, Eastpak reminded us that backpacks aren’t just carriers of belongings – they’re carriers of stories, creativity, and identity
For Spring/Summer 2026, A. A. Spectrum finds inspiration in quiet moments, the natural ease of creativity, and the unforced beauty of renewal.
For Spring/Summer 2026, AV Vattev’s Bohème collection takes its cues from two iconic worlds: the effortless cool of French New Wave cinema and the raw energy of British music subcultures.
Concrete Husband talks about turning psychological collapse into industrial soundscapes, confronting darkness on Berghain’s dancefloor, and why dark techno is, above all, sexy.
Maciej Poplonyk photographed by Arthur Iskandarov and styled by Egor Telenchenko, in exclusive for Fucking Young! Online.
Titled “YOU DO NOT BELONG HERE,” the visuals strip away ambiguity, trading fantasy for sharp, cinematic storytelling.
We met Yoon Ambush – Co-founder and Creative Director of AMBUSH – in Paris during Men’s Fashion Week.
Les Benjamins has turned its attention to the tennis court with a new collection that mixes sport and style.
GUESS JEANS has officially arrived in Tokyo, opening its first Asian flagship store in the heart of the city’s fashion district.
WHOLE is a pilgrimage for the global queer community, a temporary world where joy, radical acceptance, and self-expression reign supreme.
Alexis Otero captured by the lens of Lucas Lei, in exclusive for Fucking Young! Online.
Levi’s® is celebrating Oasis’ long-awaited reunion with a new collection that combines the band’s iconic style with classic denim.
There’s no bitterness in the heartbreak here, just the sense that longing isn’t defeat, but proof you’re alive.
We had the chance to catch up with Ohio-born, Brooklyn-based designer Kody Phillips in his Paris Fashion Week showroom where he unveiled his Spring/Summer 2026 collection.
Dean and Dan doubled down on their love of fashion’s most dramatic moments, remixing 80s power dressing, 90s grunge, and 2000s excess into something entirely their own.
