Gus Dapperton‘s dreamy bedroom pop days are long gone, within a rather short period of time, he grew into one of the most efficient pop songwriters of his generation. Signing such tracks as “Prune, You Talk Funny” and “I’m Just Snacking” and averaging millions of plays across streaming platforms.
The most recent addition to his canon is the brand new “World Class Cinema,” accompanied by a video directed with his longtime collaborator Matthew Dillon Cohen. The duo takes the standard music video format and transforms it into a cinematic escape, with Dapperton portraying several iconic film moments throughout the short film.
They also made sure to showcase Gus’s signature dance moves, while Bria Vanaite, from the indie breakout film “The Florida Project”, makes a memorable appearance at the end of the video.
Watch the short film for “World Class Cinema” below:
The rhythm of Notting Hill Carnival is built on more than music. It is built on community, pride, and a shared heritage. This year, that rhythm had a new, powerful heartbeat: the partnership of PUMA and the… »
Bershka’s new collaboration with Von Dutch is a direct line to the era’s most iconic streetwear, a time defined by logo mania and a specific kind of celebrity swagger.
“Free Your Feet” is presented as an invitation. It is an invitation to feel the ground again, to reconnect with our bodies, and to make choices that consider our own health and the health of the planet.
Gentle Monster takes a fearless step with its 2025 BOLD Collection. The new designs feature an iconic bridge detail, creating a distinctive look that offers unique ways to style eyewear.
In fashion, a good collaboration is more than just a product drop. It’s a conversation. The new capsule from Zadig & Voltaire and EGONLAB is exactly that.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
