Gus Dapperton‘s dreamy bedroom pop days are long gone, within a rather short period of time, he grew into one of the most efficient pop songwriters of his generation. Signing such tracks as “Prune, You Talk Funny” and “I’m Just Snacking” and averaging millions of plays across streaming platforms.
The most recent addition to his canon is the brand new “World Class Cinema,” accompanied by a video directed with his longtime collaborator Matthew Dillon Cohen. The duo takes the standard music video format and transforms it into a cinematic escape, with Dapperton portraying several iconic film moments throughout the short film.
They also made sure to showcase Gus’s signature dance moves, while Bria Vanaite, from the indie breakout film “The Florida Project”, makes a memorable appearance at the end of the video.
Watch the short film for “World Class Cinema” below:
Ann Demeulemeester’s Pre-Spring 2026 collection is about listening. The designer steps back, not to dwell on the past, but to let the house’s own history speak, then moves forward without force.
Pitti Uomo’s 108th edition focused on daring fashion experimentation and creative exploration, showcasing inventiveness characterized by eclecticism in addition to a forward-thinking outlook of all things sartorial.
A$AP Rocky just redefined an icon. In collaboration with Ray-Ban, he’s transformed the classic Wayfarer into something entirely fresh, the Wayfarer Puffer.
The Polimoda Graduate Show 2025 kicked off Pitti Uomo’s 108th edition, presenting twenty collections from emerging designers that prioritized raw creativity over commercial appeal.
Pitti Uomo 108 in collaboration with Japan Fashion Week Organization takes us backstage at the first international runway show for Japanese brand Children of the Discordance.
On a sunny Paris day, we caught up with Damien for a little chat in a park, because talking poetry on a sunny day in Paris on a weekday feels more than right.
We talked with Ecstasya about her hiatus, the struggle of keeping Lisbon’s first queer hardcore night (Maythey) alive, and why the best tracks come from being “sad as fuck.”
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
