Considered by many as the king of Italian fashion, Giorgio Armani, at 90 years of age and with a career in the industry of more than 50 years, continues to demonstrate why he is worthy of such a coveted title since few like him manage to continue offering his clientele truly beautiful and elegant proposals, as well as embellishing the figure of men.
The verb embellish is closely linked to seduce and, although it may sound superficial and naturalness is just as sexy, it is true that to develop this art, one tends to enhance one’s beauty or what one considers to be one’s strong point. For some men that strong point is related in a certain way to the way they dress and that is where the Piacenza-born designer comes into action, since to achieve that goal he has designed more than 100 looks made with rich, top-quality fabrics, seen on the shiny black catwalk located inside a room of the Armani Teatro, the location where the last Emporio Armani show took place.
In the hundred or so looks, tailoring was particularly predominant, this time presented in a more relaxed way – although the occasional tie or tie-simulating item appears from time to time – and the color palette chosen, inspired by certain nocturnal settings and composed of warm, dense tones such as tobacco, cognac or chocolate. These tones make the clothes even more appealing to wear to seduce; and if to such perfectly tailored suits with defined lapels and shoulders and wide, high-waisted trousers softened by deep pleats – because we know what they say about Armani’s suits that they are the best – you add a long, bonded fur coat among others, a long fur stole, or thick-soled shoes, the result is even better.
For even more special occasions, the color black, embroidery and brocade, and glitter, easily seen in jumpers knitted with metallic threads, are introduced.
Are you planning to seduce someone? Then dress up in the Emporio Armani Fall/Winter 2025 collection. Have a look at the collection below:
Take a look at John Lawrence Sullivan’s Spring/Summer 2027 backstage, captured by the lens of Sasha Zhu during Berlin Fashion Week, in an exclusive for Fucking Young!
Following Maison Mihara Yasuhiro’s SS27 show during Paris Men’s Fashion Week, we caught up with Mihara to discuss why his creative process has no true beginning or end and the importance of imperfection.
Saint Laurent Montaigne has opened its first exhibition, 1980 – 2023 – 2025, a selection of works by French artist Martine Bedin, curated by Anthony Vaccarello.
Aesop has introduced the Parsley Seed Purifying Cleanse Protocol, a three-step ritual designed for those living in urban environments and facing the friction of city life.
After making stops in Berlin and Milan, the Eastpak Travel Agency arrives this weekend in Barcelona, transforming the city’s beachfront into an immersive pop-up.
Since founding DAGGER, designer Luke Raine has quickly established the growing brand as one of Berlin’s most exciting independent fashion labels while rooted in resilience.
Paris has never been short of artists capable of blurring the lines between fashion and fine art, but Gustavo Nazareno brings something altogether more hypnotic.
RHUDE’s SS27 collection, Contra Mundum, explores the moment after achievement, when discipline gives way to freedom and freedom becomes a test of character.
GmbH marked ten years with a collection that looks back at what sparked the brand in the first place, and in doing so, unearthed a largely forgotten fashion history.
For Spring/Summer 2027, #DAMUR dropped its new collection, RIDE CHAOS – BREAK THE GRAVITY, into the concrete heart of Skatehalle Berlin during Berlin Fashion Week.
Charlotte Gainsbourg’s first photography exhibition, 5bis, opens at La Galerie du Cloître in Arles as part of the 57th Rencontres d’Arles photography festival.
In this exclusive editorial, photographed by Immer Salvador and styled by Star Burleigh, Browne reflects on fashion, mindset, mental health, social media and what it means to build a life that feels aligned in an age defined by comparison.
For Issue 28, TRANSPARENCY, we explore the shifting relationship between what is revealed and what remains concealed, questioning ideas of authenticity, identity, vulnerability, and self-expression in an increasingly exposed world.