Born in France, raised in Sao Paulo, and now living in New York, alternative musician Douglas Joyman got to fame when he was pretty young, playing in the successful French movie “The Chorus” which came out in 2004. It’s with his new EP “Nekuia” which came out during Valentine’s Day that Joyman is back and it’s all about love. To promote this project, the artist decided to bet on “Barbarella”, a romantic and elegant ballad. It comes along with a music video directed by Giovanna Gorassini and it features French actress Emmanuelle Seigner. The visual defines the art of beauty and also confirms how beautiful Venice is. ‘It is a declaration of love to Italian cinema through nostalgic reminiscences that I believe are necessary for the timeless creation’ said the director.
The 36th edition of 080 Barcelona Fashion has announced its schedule, bringing together 24 designers and brands to present their new collections. Once again, the event will be held at the Recinte Art Nouveau de Sant Pau,… »
James Edward photographed by Jess Segal and styled by Heloise Chauvenhei, with creative direction by Charlotte Carter, in exclusive for Fucking Young! Online.
PUMA’s Talon sneaker, first launched in 2004, is a relic from a specific time. It’s a shoe pulled from the archive, but its new collaboration with NO/FAITH Studios is about more than just nostalgia.
This season confirms SHOOP’s design approach. It draws from the everyday and reinterprets it through a poetic, modern lens, creating a language that joins the functional with the emotional.
Drowning in all the new music releases? We’ve got you covered. Dive into our handpicked selection of this week’s standout tracks, from rising stars to iconic artists. Your perfect weekly soundtrack starts here!
The campaign, shot in the heart of Notting Hill, is a modern interpretation of Britishness, seen through the lens of Paul’s own curious spirit and his love for collecting the unexpected.
Carhartt WIP’s Fall 2025 campaign feels like a quiet shift. It’s not about grand statements or dramatic scenes. Instead, it turns its attention to the spaces in between: the small, ordinary moments that make up a day.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
