Concept Korea unveils at New York Fashion Week three fashion movies showcasing the FW22 collections of the three designers: EENK, NOHANT and UL:KIN.
The EENK movie is directed by Yoon Byul. Korean top models appear on stage, creating an
reminiscent atmosphere of an old trunk show space where nostalgic fashion can be felt.
The NOHANT movie is directed by Jo Won-jun unfolds dreamlike storytelling with the BGM
of the song ‘FNTSY’ by Hwang So-yoon, who is in charge of the vocals and guitar of the band New Boy.
UL:KIN story is lead by trending stars from ‘Street Woman Fighter’. This fashion film directed by visual art group Segaji shows the crowded parties at club in Seoul, and the lonely wreckage left behind after the end of all entertaiments.
Concept Korea is a program hosted by the Ministry of Culture, Sports, and Tourism and supervised by the Korean Creative Content Agency to support the global advancement of Korean fashion brand playing a role in promoting globally the potential and dynamism of Korean fashion by conducting events as well as digital runway shows.
From October 15, 2025, to January 25, 2026, the Maison Européenne de la Photographie (MEP) in Paris will host Tyler Mitchell’s first solo exhibition in France, titled Wish This Was Real.
Marine Serre presents the third chapter of her FW25 campaign. Titled “NIGHT IN SHANGHAI,” this final act builds on the themes of her Paris show, exploring illusion and emotion through a cinematic lens.
LOEWE and On present their Fall/Winter 2025 collaboration, featuring the first model they have designed together: the limited-edition Cloudsolo sneaker.
A$AP Rocky and PUMA have released their latest and largest collection. The new line finds its inspiration in the Harlem jazz renaissance, mixing that era’s energy with modern streetwear.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
