CFCL x Asics Release Collaboration with GEL-LYTE III CM1.95
by Anna Barr
Back in September, we got our first glimpse of the CFCL”GEL-LYTE III CM1.95″ sneaker collaboration with ASICS on the runway during Paris Fashion Week.

With a weight of about 1.95 kg/CO2-e, this minimalist sneaker produces very little greenhouse gas (GHG). In order to produce the world’s lowest greenhouse gas emissions among shoes now on the market, a thorough Life Cycle Assessment (LCA) was carried out on all operations, from material procurement to disposal, including both the sneaker and the packing box. With a commitment to transparency, the figures have been shared publicly.

After a discussion between CFCL and the Ministry of the Environment in 2021, the two decided to work together to address the issue of raising consumer and business awareness of the climate catastrophe and the difficulties associated with a decarbonized society. In addition to taking on obstacles, CFCL and ASICS are dedicated to the same objective of lowering greenhouse gas emissions by 2030. They will also be thinking about the kind of production that can be accomplished with Japanese technology.

Achieving the lowest GHG emissions worldwide was fulfilled by integrating ASICS’ cutting-edge solutions, which are based on the “GEL-LYTE Ⅲ OG,” one of ASICS’ renowned sneakers that combines the brand’s solutions. As a result, this sneaker’s greenhouse gas emissions were cut by over 80% during the procurement, production, and transportation processes compared to the company’s iconic footwear. By adding fashionable coloring by CFCL, they were able to enhance the design and quality making sneaker turn that is elegant, something which I have never described a sneaker as this past decade, but I’m all for it. However, we tend to have the conversation around textile waste and seeking solutions whether it’s deadstock or upcycling, but with sneakers, the conversation is really around technology in product development.


Looking at the shoe development, carbon-negative foam is used in the midsole, and sock lining is one of the shoe’s main characteristics. This is a newly designed foam material from ASICS that efficiently keeps GHG emissions negative while providing comfortable wear and minimal quality loss through the combination of several bio-based polymers made from sugarcane and other raw materials. With strides to lessen their environmental effect by introducing recycling practices at their plants that are outsourced sees the use of biofuels for transportation, and running their manufacturing operations in Vietnam entirely on renewable energy.

“Simplicity, Modesty, and Responsibility” are core values of CFCL, which stands for “Clothing For Contemporary Life” and this collaboration seems like the perfect fit.
The sneakers are out now in three colorways on: www.cfcl.jp and www.asics.com
ZADIG&VOLTAIRE Unveils First Genderless Capsule Collection
The Louis Vuitton Foundation presents its new Mark Rothko exhibition
Paris Fashion Week witnessed Steven Passaro’s Moonlit Lover Spring/Summer 2026 collection, an exemplar of the aftermath of love encountered after midnight and gone before sunrise.
Because home should never be denied to anyone. In a world where home shouldn’t be a privilege but a right, artist and activist Charlie Smits is stepping up. Smits has teamed up with Fundación… »
Simon Porte Jacquemus has fulfilled his dream, and in the process, he continues to invite us to dream with him.
We checked in with Takuya Morikawa to talk process, evolution, and the foundation in the essence of creation.
Berlin Fashion Week saw the return of Milk of Lime, fresh off their Berlin Contemporary win, with their Spring/Summer 2026 collection, CHIME.
Craig Green’s Spring/Summer 2026 collection feels like a half-remembered dream with shapes you recognize, but shifted just enough to make you look twice.
Photographer Denzil Jacobs presents a selection of eclectic looks photographed on the streets of Paris during Men’s Paris Fashion Week, outside Amiri, Rick Owens, 3.Paradis, Kidsuper and more, exclusively for Fucking Young!
Ikko Ohira photographed by Luis May and styled by Timothée Geny La Rocca, in exclusive for Fucking Young! Online.
At Paris Men’s Fashion Week, NAMESAKE’s Spring/Summer 2026 collection, INNERCHILD, didn’t just show clothes but also memories.
Designer Andrea Pompilio maps a wardrobe for modern nomads, one that looks collected rather than curated.
Louis Vuitton has always been about journeys, both literal and imaginative.
VIKTORANISIMOV chose an unlikely stage for its first Berlin Fashion Week presentation: a former telecommunications bunker, now The Feuerle Collection museum.
After the show, designer Feng Chen Wang caught up with us, to open up about the emotion behind this collection, and the brand’s evolving identity – accompanied by backstage moments captured by Leiya Wang.
Take a look at DOUBLET’s Spring/Summer 2026 backstage, captured by the lens of Rita Castel-Branco during Paris Fashion Week, in exclusive for Fucking Young!
Take a look at KIDSUPER’s Spring/Summer 2026 backstage, captured by the lens of Tiago Pestana during Paris Fashion Week, in exclusive for Fucking Young!
For Camiel Fortgens’ SS26, models walked the actual streets of Paris during Fashion Week, portable speakers in hand, each playing a fragment of the show’s soundtrack.
Singer-songwriter HUMBE is Mexico’s breakout pop star, leading us into a new era of sentimental pop.
Created with artist Samuel de Sabóia, the lineup weaves together regeneration, spirituality, and a question: What does the future of fashion look like?
ZIGGY CHEN’s PRITRIKE doesn’t shout. It hums like the low, steady pulse of rain on summer earth.
For their SS26 show, the adidas and Yohji Yamamoto collaboration traded the standard runway for something more visceral: a four-act performance directed by choreographer Kiani Del Valle.
After showing off-calendar for two seasons in a presentation format, the 2023 LVMH Prize-nominated designer Kartik Kumra is now the first Indian designer to be on the official menswear calendar.
SANKUANZ’s Spring/Summer 2026 collection finds its heartbeat in Tara, the Tibetan Buddhist goddess who exists between two worlds, both enlightened and earthly.
Creative director Julian Klausner builds his first men’s collection for the house like a love letter to contradictions.
Fashion often pretends to have answers. TAAKK’s Spring/Summer 2026 collection prefers questions.
Doublet doesn’t ask you to change the world. It just shows what happens when fashion remembers where it comes from.
The idea is simple but clever: take the rigid codes of a gentleman’s wardrobe and soften them for the heat.
For SS26, Hung La’s LỰU ĐẠN closes its trilogy “MAYHEM,” “YOU DON’T BELONG HERE,” and now “NO MAN’S LAND”, with a collection that stares straight at the people society ignores.
Marine Serre‘s Spring/Summer 2026 collection is about the quiet revolution happening in every stitch. Titled THE SOURCE, this is clothing that moves with purpose, crafted by hands that treat savoir-faire not as a relic, but as rebellion.
Here,… »
When J Balvin puts his name on something, you know it won’t be ordinary.
C.R.E.O.L.E.’s DOM TOP FEVER collection is a reckoning. It digs into displacement, memory, and the act of reclaiming stories that have been buried or distorted.