For Skepta, the third chapter of MAINS functions as a return to a primary source. The collection pulls directly from the raw material of his youth: a Tottenham bedroom, the pulse of Jungle and Garage, and the relentless want for designer clothes. The origin story does not start on a runway but with a television screen.

The discovery of Eurotrash was a formative event. The show did not present a diluted, mainstream version of style. It was a direct feed into a world that was colorful, intentionally provocative, and erotic. For a young viewer, this became a comprehensive education. The show’s visual energy, its bright and deliberate set design, implanted a lasting image of what fashion could represent.

This reference has been a long-standing touchstone. Its appearance in the “Hypocrisy” video a decade ago confirms its enduring influence. MAINS Season 3 represents a full-circle engagement with that vision.

The new collection moves past simple homage. It proposes a specific type of armor for modern life. The statement “life gets dark sometimes we could all use a bit of colour” operates as both a personal motto and a design philosophy. The work rejects the idea that clothing must respond to darkness with more darkness. Instead, the collection leans into the fun and the bright, the unapologetic spirit of that initial broadcast. It translates a private, nocturnal dream into a shared, wearable language.

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