“We all are experiencing a new reality concerned with new needs, which lead us to previously unseen lifestyles and attitudes. It is precisely at a time like this, when everything is under discussion, that we, at Zegna, have decided to (Re)set. We have looked at our roots to (Re)interpret our style codes and (Re)tailor the modern man. Outdoor and indoor come together and a new way of dressing takes hold, where comfort and style blend to create a new aesthetic”, saysAlessandro Sartori.
The collection follows a seamless pace. A new and varied generation of jersey fabrics take center stage at Zegna. Shapes are fluid, comfortable, and adaptable. In sync with lifestyles that blend indoors and outdoors, the tropes of stay-at-home dressing – the shawl collars and belted generosity of a robe de chambre, the ease of track pants, and the coziness of hand-cut jersey slippers – reshape the very idea of formality. Archetypal items get new functions in a switch of forms, weights, and materials. Chore coats in cashmere, wrapped as a robe, take up the role of habitual sport codes, hybrid suits are in double cashmere, unreleased groups of knitwear replace shirts, new sweaters made of felted cashmere and knit, or knitted out of leather, are meant as outerwear; trousers and jackets are cut in shearling. Even briefcases, the very epitome of business, are deconstructed.
Ease and personality are the bywords: the reimagined suit, either loose or with a blazer tailored close to the body, is not a uniform, but a way of being oneself. It can be as supple as being cut entirely in knitted cashmere or jacquard and is worn with loose turtlenecks or zip-up tops in place of a shirt. Volumes are relaxed for the dropped shouldered jackets and the shirt jackets matched with full trousers, for the belted coats, the blousons, and the double front jumpers.
The collection was presented in the form of a film. Fluid camera movements and uncontrived passages from inside to outside offer a visual narrative full of sudden surprises and ruptures from one situation to the other. Glimpses of a metropolis and the insides of an ideal building flow smoothly as models cross rooms, paths and ambiances until THE (RE)SET finally unveils its meta meaning, the set being in fact the theatrical place where the filming happens.
For the first time, the work of more than 60 artists who have lived and created at the TOM House will come together in FXLK PLAY: Mythmaking, Devotion, and Mischief, an exhibition opening September 12, 2025, at Long Hall in West Hollywood’s Plummer Park.
There’s something raw and electric in Last Exit on Bethnal, the new collaborative project between London producer/DJ Hannah Holland and filmmaker/photographer Lydia Garnett.
The Phantom of the Opera has chosen his designer. Nicola Formichetti has been appointed Director of Masks for Masquerade, the new immersive Phantom experience coming to New York.
Kwir Nou Éxist project, a photo installation conceived by model, actress and activist Raya Martigny and her partner Edouard Richard, is now on view until July 25 in the iconic Tuileries Garden in Paris.
The wait and speculation are over. Almost a month after Francesco Risso’s departure, Marni now has a new Creative Director: Belgian designer Meryll Rogge.
Spanish-Nigerian designer Wekaforé Jibril has made history with the opening of his first standalone boutique in Barcelona, becoming the first Black designer to establish a flagship store in Spain.
“It’s an honour to work with Burberry,” Wu said. “The brand’s dedication to its heritage and innovation results in pieces that never fail to amaze. I look forward to discovering what we’ll create together.”
C2H4® is slowing down. Instead of chasing seasons, their R011 Collection is built to last: one carefully crafted lineup per year, designed to stay relevant long after the trends fade.
HAIKURE’s SS26 collection, Come As You Are, is for people who want to feel good without the effort, who wear clothes that fit their lives, not the other way around.
Glass Cypress’s Spring/Summer 2026 collection, The Ones Who Flee, is a meditation on movement, not just physical escape, but the deeper act of resisting what binds us.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
