If you’re a long-term aficionado of Gucci’s heritage, you’re more than likely to be acquainted with the surreal sphere that saturates the Italian luxury household.
As exhibitions around the world have been blocked in the wake of lockdown and the coronavirus pandemic, South Korea has launched a new exhibition of Gucci, titled No Space, Just A Place. Eterotopia, at the Daelim Museum in Seoul.According to the luxury giant, this project is aimed at supporting the rich cultural landscape and contemporary art scene in Seoul, taking its cues from the “complex history of independent and alternative art spaces” in the South Korean capital.
Olivia Erlanger
A selection of art spaces has thus been invited to exhibit across the three floors of the Daelim Museum – from Audio Visual Pavilion to White Noise – with each presenting a project, created in dialogue with curator Myriam Ben Salah.A selection of local and global artists has also been invited to exhibit their work, in theform of large installations.
Martine Syms
The list includes the likes of Meriem Bennani, OliviaErlanger, Cécile B. Evans, Kang Seung Lee among many others.
While the selection of artists comprises a vast assortment of creative minds, they each question leading matters through their work; something that Gucci’s creative director Alessandro Michele is identified for, as recent seasons have seen the iconic blockbuster challenge conventions of gender norms.
Yunjung Lee
View of “Room” exhibited by OF
Moreover, the exhibition urges to explore “alternative spaces as a utopian place” which, in times of disruption, are crucial.
For those not able to leap to Seoul, Gucci is allowing people to explore the exhibition via an interactive film which can be viewed here.
Alternatively, explore the making of the exhibition via the film below:
Weaving (literally) together activism, design, and queer culture, Grindr partnered with Rainbow Wool to present I Wool Survive on the runway in New York.
The 17th FASHIONCLASH Festival filled three November days in Maastricht with performances, films, workshops and shows made by students, activists and designers from over 25 countries.
With over two decades of dedicated experience in the fashion industry, Andrea Moore has forged a distinctive path, blending vibrant colors and innovative materials into gender-neutral designs that resonate with today’s diverse audience.
Saint Laurent Rive Droite has introduced its first Advent calendar. The project is a unique vinyl box set curated by Creative Director Anthony Vaccarello.
We headed down to Geneva over the weekend for the HEAD Fashion Show, made up of 23 Bachelor and 8 Master graduate collections offering a fresh, diverse, and contemplative reading of what clothing can be today.
Over four intense days, 30 students from across Europe breathed strange, electric life into discarded garments — relics pulled back from the brink and reimagined with hands that refuse to waste. What emerged wasn’t just clothing, but a shared vocabulary: sustainability as a dialect, mending as a manifesto.
AMIRI’s Pre-Spring 2026 draws inspiration from John Hughes’ 1985 film, The Breakfast Club, paying homage to its universal story and the contradictions of youth.
Drop Books has released its second publication, titled “Wildness.” The book is a collaboration between photographer Mark Borthwick and fashion designer Duran Lantink.
The campaign’s narrative is a journey that captures the spirit of travel through different lights: the Parisian sunset, the break of dawn, and the glow of a bonfire.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
