Givenchy unveils its Spring/Summer 2020 advertising campaign with a beautiful dichotomy. Dressed in key looks of the season, the timeless icons Charlotte Rampling and Marc Jacobs evoke memories of Paris and New York in the Nineties in images lensed by the photographer Craig McDean under the guidance of Artistic Director Clare Waight Keller. Individualism and iconoclasm embrace the liberated, self-assured allure that is so emblematic of Givenchy ready-to-wear and accessories.
These images represent the first wave in a series for the Givenchy Spring/Summer 2020 campaign.
The offering is relaxed yet polished. It includes rugby shirts, lightweight shell jackets, and everyday T-shirts that speak to the brand’s modern-prep influences.
James Edward photographed by Jess Segal and styled by Heloise Chauvenhei, with creative direction by Charlotte Carter, in exclusive for Fucking Young! Online.
PUMA’s Talon sneaker, first launched in 2004, is a relic from a specific time. It’s a shoe pulled from the archive, but its new collaboration with NO/FAITH Studios is about more than just nostalgia.
This season confirms SHOOP’s design approach. It draws from the everyday and reinterprets it through a poetic, modern lens, creating a language that joins the functional with the emotional.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
