Gucci Spring/Summer 2020
by Chidozie Obasi













































We don’t need to be told Gucci’s current monarch, Alessandro Michele, is a grand provocateur by nature. For SS20, the Italian label left the minds of many deeply reflecting. His often theatrically-staged performances (way far off than your archetypal RTW catwalk shows) are always ready to convey a profound connotation. Class them esoteric, abstruse, and sagacious. This season, the brand’s core perceptions pivoted towards change, with a prime focus on mental health stigmas. Guests were greeted by the ardor of a red room. And such, caused sudden drama. Not long after the prelude, lights went and the ambient was over. Frequently mimicking a voluptuous male/female being, Michele’s astounding yet eclectic faculty grasped a whole new twist. That loony aura felt somewhat faded at the show until a dose of tonal briskness shunned upon the catwalk during the second phase -referencing strong color blocking and bold ‘70s accessories. As remarked by the Creative Director himself, Michele affirmed he was ready to “try something new.” A fresh reinterpretation of the brand was stressed by the simpleness of cuts, modernized by an uncluttered array of prints. Tailor labels read “Gucci Orgasmique” -and it was hasty web-blast. His goal seemed quite novel: seemingly, indulge a new generation through phlegmatic fashion.
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SEAN SUEN Fall/Winter 2019 Lookbook
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Pull&Bear and French artist Thomas Lélu have released their second collaborative capsule, titled “Objets.”
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The competition, which began in 2013, is open to designers from around the world who are between 18 and 40 years old.
Over four intense days, 30 students from across Europe breathed strange, electric life into discarded garments — relics pulled back from the brink and reimagined with hands that refuse to waste. What emerged wasn’t just clothing, but a shared vocabulary: sustainability as a dialect, mending as a manifesto.
Photographer Gorka Postigo’s new book, You’ll Never Meet My New Friends, launched at LSD Paris during Paris Photo Week.
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AMIRI’s Pre-Spring 2026 draws inspiration from John Hughes’ 1985 film, The Breakfast Club, paying homage to its universal story and the contradictions of youth.
The CASA LOEWE concept blends high-end retail with the personal feel of an art collector’s residence.
The drop is a focused exploration of college sports culture from the American South.
Personal Parade presents its new season, “Return to Eden.” This is the brand’s first collection dedicated entirely to homewear.
Drop Books has released its second publication, titled “Wildness.” The book is a collaboration between photographer Mark Borthwick and fashion designer Duran Lantink.
Church’s presents its Holiday 2025 campaign through a series of festive scenes.
Benzene is a new streetwear brand built on a specific kind of modern contradiction.
Mexican artist Gabriel Santiago has released a new single titled “Homoerotic.”
Balenciaga has launched a new series focused on American football.
Paul Smith has unveiled its new “Night to Day” campaign, featuring the American actor Walton Goggins.
The campaign’s narrative is a journey that captures the spirit of travel through different lights: the Parisian sunset, the break of dawn, and the glow of a bonfire.
Givenchy presents its Spring 2026 campaign, the second in a series of portraits by photographer Collier Schorr.
Malte Berglund Adrian at ACE Models captured by the lens of Joey Leo, in exclusive for Fucking Young! Online.
La Fábrica presents “NIKE. Design in Motion” in Madrid, an exhibition that traces six decades of the brand’s history.
Lacoste presents its Holiday 2025 campaign with the idea that style is the best gift.
LOEWE Perfumes has introduced three new scented candles to its Home Scents collection.
After fifteen years under the creative reign of Olivier Rousteing, Balmain steps into a fresh era.