‘Battle for Big Blue’ aims to raise awareness for RAW for the Oceans. In a digitised world where “play and understand” now beats “show and tell”, ‘Battle for Big Blue’s playful impression of ocean cleanups brings the cause closer to players and thinkers whose participation is crucial to saving our oceans.
“Now we have something that people can play. It just puts it in their mind to consider the ocean. You don’t play a game and ever throw a bottle in the ocean again. And everyone can have it and share it.” – Pharrell Williams, Creative Director Bionic Yarn
The game sees players travel across the world’s five oceans collecting plastic and dodging dangers while giving some serious insights into the severity of the problem we face. Co-designer of the RAW for the Oceans collection Pharrell Williams, created the sounds, with the game’s additional features including playing against Pharrell himself or challenging friends.
Now in its third season, RAW for the Oceans (a partnership between G-Star, Bionic Yarn, and Parley for the Oceans) has transformed over 2 million single use plastic containers recovered from ocean coastlines into high quality denim jeans, jackets, and ultra soft tee’s and sweats.
Think you can beat Pharrell?
Download it here, free from the Apple and GooglePlay app stores.
Take a look at Who Decides War Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during New York Fashion Week, in exclusive for Fucking Young!
For Spring/Summer 2026, Palomo returned to Madrid. The setting was The Palace Hotel, an intimate presentation that marked a homecoming after several seasons in New York.
Gucci introduces a new sneaker, the Gucci Shift, designed for motion. It translates the House’s athletic history into a form made for the rhythm of now.
Take a look at Campillo’s Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during New York Fashion Week, in exclusive for Fucking Young!
The offering is relaxed yet polished. It includes rugby shirts, lightweight shell jackets, and everyday T-shirts that speak to the brand’s modern-prep influences.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.