Back in 2004, HUF and Nike joined forces for the first time, creating a special edition of the Nike Air Max 1. This wasn’t just any sneaker; it came in three cool colors and was made in a limited run. Keith Hufnagel, the guy who started HUF, designed it, and it quickly became a fan favorite in its signature “HUF Green” and gray.
Fast forward to today, and after 20 years, HUF and Nike are bringing back the original Air Max 1 in all three colors: Green and Gray, Orange and Gray, and Pink and Gray. This time around, the Green and Gray will be everywhere, while the Orange and Gray will only be in North America, and the Pink and Gray will be a special treat for Japan.
This comeback is a nod to the good old days and a shout-out to Keith Hufnagel’s lasting impact. The new campaign for these sneakers is inspired by a photo of Keith with his dog Bones at the first HUF store in San Francisco. Hanni El Khatib, who’s been with HUF since the start and was a buddy of Keith’s, came up with this idea. It’s a way to show off a side of HUF that most people haven’t seen before.
The collaboration between JW Anderson and film director Luca Guadagnino does not produce a garment or a bag. Instead, it creates an object for a desk: a set of bronze peach paperweights.
Barcelona’s Moco Museum opened a new Banksy exhibition! Titled New Works by Banksy, the show presents twenty-five original pieces. Some of these works have never been shown in a museum before.
Aún es pronto para ser feliz isn’t looking for answers. It sits in the discomfort, embracing the idea that maybe, right now, not being okay is part of the process.
Marnix Eyckmans photographed by Aitana Valencia and styled by Ana San José with SS26 pieces from Dior Men, for the DREAMCORE issue of Fucking Young! magazine.
Madrid is preparing to welcome one of the most powerful emerging voices on the indie scene: Sombr, the young New York artist who has turned his raw sensitivity and generational vision into a global phenomenon.
Chino Amobi’s new project, “Eroica II: Christian Nihilism”, marks a striking and deeply personal return from an artist known for expanding the edges of sound, image, and storytelling.
Arts of the Earth at the Guggenheim Museum Bilbao is an ambitious exhibition on humanity’s shifting relationship with our planet, soil, and biodiversity.
Inspired by the folklore and spirit of flamenco, the collection captures the movement and emotion of the dance through silhouettes, contrasts, and details.
MODUS VIVENDI presents its Fall-Winter Black and White edition, a collection that drifts in from a retro art universe and lands right inside the pulse of modern urban life. The vibe is graphic, fluid and inclusive, as… »
There’s a quiet light that runs through Óscar Casas’ work, an energy that feels both instinctive and deliberate, like someone who has learned to move between dream and reality with ease.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
