Going against traditional uniform, a contrast between tailored and nonchalant, the collection mixes proportions, encapsulating Parisian allure and combining various references and inspirations to create an individual look.
The exclusive photographs, a personal and sensitive collage created by Collier Schorr, form a prelude to the Men’s collection that will be presented at the next runway show in February.
Shot in Paris behind closed doors, the film directed by Nathalie Canguilhem showcases the collection designed by Anthony Vaccarello worn by a group of boys – rebels with the faces of angels, each mirroring the likeness of the main character Lukas Ionesco and lending their unsettling and cinematic beauty to this project.
For Spring/Summer 2026, Palomo returned to Madrid. The setting was The Palace Hotel, an intimate presentation that marked a homecoming after several seasons in New York.
Gucci introduces a new sneaker, the Gucci Shift, designed for motion. It translates the House’s athletic history into a form made for the rhythm of now.
Take a look at Campillo’s Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during New York Fashion Week, in exclusive for Fucking Young!
The offering is relaxed yet polished. It includes rugby shirts, lightweight shell jackets, and everyday T-shirts that speak to the brand’s modern-prep influences.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
