In this first episode of the seven-part film collaboration between award-winning director Gus Van Sant (Drugstore Cowboy, My Private Idaho, Elephant) and Gucci Creative Director Alessandro Michele, we follow the lead Silvia during her eccentric morning routine in Rome, which includes a scene in which, to the rhythm of a Billie Eilish song, she throws a dress from the balcony (from the first Gucci show by Alessandro Michele, from the Fall/Winter 2015 women’s line). Silvia is seen going through the mail, which includes some colorful Gucci show invitations, plus a mysterious brochure, and is then distracted by a television talk by writer and philosopher Paul B. Preciado until an unexpected visitor arrives. At the same time, in another room, a music group rehearses a song that Kim Gordon wrote for this miniseries.
The seven episodes will be released daily through the course of the festival as an exclusive broadcast on GucciFest.com, gradually revealing the collection day by day.
The collaboration between JW Anderson and film director Luca Guadagnino does not produce a garment or a bag. Instead, it creates an object for a desk: a set of bronze peach paperweights.
Barcelona’s Moco Museum opened a new Banksy exhibition! Titled New Works by Banksy, the show presents twenty-five original pieces. Some of these works have never been shown in a museum before.
Aún es pronto para ser feliz isn’t looking for answers. It sits in the discomfort, embracing the idea that maybe, right now, not being okay is part of the process.
Marnix Eyckmans photographed by Aitana Valencia and styled by Ana San José with SS26 pieces from Dior Men, for the DREAMCORE issue of Fucking Young! magazine.
Madrid is preparing to welcome one of the most powerful emerging voices on the indie scene: Sombr, the young New York artist who has turned his raw sensitivity and generational vision into a global phenomenon.
Chino Amobi’s new project, “Eroica II: Christian Nihilism”, marks a striking and deeply personal return from an artist known for expanding the edges of sound, image, and storytelling.
Arts of the Earth at the Guggenheim Museum Bilbao is an ambitious exhibition on humanity’s shifting relationship with our planet, soil, and biodiversity.
Inspired by the folklore and spirit of flamenco, the collection captures the movement and emotion of the dance through silhouettes, contrasts, and details.
MODUS VIVENDI presents its Fall-Winter Black and White edition, a collection that drifts in from a retro art universe and lands right inside the pulse of modern urban life. The vibe is graphic, fluid and inclusive, as… »
There’s a quiet light that runs through Óscar Casas’ work, an energy that feels both instinctive and deliberate, like someone who has learned to move between dream and reality with ease.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
