The GCDS campaign for Spring/Summer 2018 is at once a celebration of all the friends and memes GCDS created during the past seasons, as well as a new landscape to the celebration of the outsiders.
LA-based director and photographer Nadia Lee Cohen is the perfect match with the GCDS world. Ironic and fresh the video campaign for SS18 is the perfect tool to create a splatter momentum where the stars Pamela Anderson dies on screen for the first time, surrounded by the many cameos such as – Brooke Candy, Leo Mandella, Caroline Vreeland, Lily Summer.
Each character represents a vicious of the modern time, taking us to the final act, the video is a statement of how violence should stay only in the movie. The narrative tells about a grotesque place where everyone is fab their own way and the patriarch of the entire group is an old lady with a receding hairline that turns into a murderer when she feels de-throned in her own house.
This season designer Masanori Morikawa’s FW19 collection entitled “Signal Noise – S/N” takes its cue from the 1994 art performance piece of the same name staged by Dumb Type.
Embracing both tradition and subversion, the field and the street, codified notions of taste and aspiration, crossing British cultures and class boundaries, is both wryly looked at and celebrated in the collection.
Icons meet icons for the Y-3 Fall/Winter 2019 collection, in which adidas and Yohji Yamamoto reinterpret their individual codes through the lens of one another.
The Fall/Winter 2019 collection collides heritage with the bold and psychedelic, as British classicism is modernized for the Stella man and fused with pop prints and vivid color.
“The more beautiful the sky, the more hopeless the neighborhood.”
Cover feat. Jhona Burjack at Next Models shot by Kito Muñoz
“And even if we change neighborhoods, cities or countries, we always carry with us that sense of personal transformation that a piece of land, with its buildings, parks, bars, and people, has given us. We are almost certain to hang on to a sense of gratitude and nostalgia for it.”
