The international and interdisciplinary FASHIONCLASH Festival just wrapped up their 12th Edition. During this three-day festival, a new generation of designers and (performing) artists from home and abroad were given the opportunity to show their work digitally to a broad and international audience. The program consisted of virtual fashion shows, exhibitions, short films, crossovers with performing arts and live fashion talks with festival participants. Additionally, the festival provided visual spectacles, behind the scenes, personal stories of the participants, and wide audience reach. The 4th edition of the Fashion Makes Sense Award was also presented Teun Seuren (TEUN) taking home the Chapeau Magazine Young Talent Award.
DOMINIK
Openness, generosity, and intimacy are some of the keywords defining this unique and innovative edition, placed under the sign of craft, as well as personal expression and boundless ideas. Designers are now willing to reveal the essence of their work while sharing freely the intricacy of their technique, something Branko Popović, co-founder and co-director of the Festival, sees as a significant step towards a new path: “I was impressed by the resilience of the designers involved, despite the challenges brought by COVID-19. This young generation is looking for ways to present and promote itself efficiently, but it’s also very open and willing to share its know-how and processes with others. 5 or 6 years ago, designers would have been much more secretive about their ideas, marking a key shift within creative spheres.”
PAERS
SANKIM
Not only does this 12th edition offer exhibitions -which can be toured digitally- as well as original films, personal statements, and performances, it also features interactive events, such as the live announcement of the winner of the Fashion Makes Sense Award on the 27th, and a Community Talk broadcast on the 28th, giving participants and organizers the chance to gather online and exchange ideas while discussing their experience of the Festival itself.
SASKIA-LENAERTS
TURTLEHORN
Unlike previous editions, which may have been more militant in spirit and vocal about certain societal and political issues, this Digital Edition underlines a need for closeness, togetherness and understanding, using the digital as an entry into subjective -and highly private- landscapes.
TEUN
More than ever, designers are willing to assert their own strengths and singularity, as well as the complexity of their craft, inspiring us with their poetic and forward-thinking vision.
We had the chance to catch up with Ohio-born, Brooklyn-based designer Kody Phillips in his Paris Fashion Week showroom where he unveiled his Spring/Summer 2026 collection.
Dean and Dan doubled down on their love of fashion’s most dramatic moments, remixing 80s power dressing, 90s grunge, and 2000s excess into something entirely their own.
Telekom Electronic Beats (TEB) and 032c are turning 25, and they’re celebrating with a capsule collection and an installation by Harry Nuriev. Titled All is Sound.
Cult Korean menswear brand THUG CLUB teamed up with designer IZZY DU for an unforgettable dinner and afterparty at the mythical Lapérouse during Paris Fashion Week.
Jonathan Anderson has always treated fashion like a carefully assembled collection, mixing the unexpected, trusting his instincts, and binding it all together with a strong point of view.
Louis Vuitton has introduced its latest Silver Lockit 2025 collection, developed in partnership with Felix, the brand’s Ambassador and UNICEF Goodwill Ambassador for Korea.
The Salomon XT-6 wasn’t made for sidewalks. Born for punishing mountain trails and ultra-distance races, its technical DNA speaks to wilderness endurance.
The Guggenheim Museum Bilbao has opened the Barbara Kruger exhibition, Another day. Another night., curated by Lekha Hileman Waitoller and sponsored by Occident. This exhibition expands her audience and influence while pushing the limits of modern art… »
Forget ironed polos and pristine blazers. Peter Wu’s Spring/Summer 2026 collection is a tribute to the thrifted sweaters, the cut-off Dickies, the flannel pajama pants worn to early morning lectures.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.