Études showed its Spring/Summer 2021 collection during the Digital Paris Menswear Fashion Week. Roe Ethridge, who’s also part of the collection thanks to a collaboration, has directed the lookbook, shot in a Paris studio from his New York City base home, echoing the France / U.S. correspondence that drove the collection. In the vein of his own artistic practice, still-life imagery transports the silhouettes into hyperreal territories, via the use of overlays and chroma key compositing.
Entitled ‘Yes Future’, the collection by Aurélien Arbet, Jérémie Egry, and José Lamali is an optimistic deep dive – a challenge to negativity and an interrogation of the tropes of American menswear from the desert and the mountains to the sea. Ethridge’s iconography is salient – from the iconic Pigeon (2001) to newer works like Apple Bees and Rockaways (Dawn Patrol) depicting cut fruit, sunrises, and surf breaks – and their placement not only frames Ethridge’s work as subplots but employs his practice of layout, furthering the dialogue of his images over button-down shirts, jersey hoodies, and oversized tees.
The video brings the looks back to where they were conceived, since it has been shot in the streets of the 20th arrondissement of Paris surrounding Études’ creative studio. An uninterrupted sequence follows the models wandering and passing each other, dispersed in the usual activity of the city.
We headed down to Geneva over the weekend for the HEAD Fashion Show, made up of 23 Bachelor and 8 Master graduate collections offering a fresh, diverse, and contemplative reading of what clothing can be today.
Over four intense days, 30 students from across Europe breathed strange, electric life into discarded garments — relics pulled back from the brink and reimagined with hands that refuse to waste. What emerged wasn’t just clothing, but a shared vocabulary: sustainability as a dialect, mending as a manifesto.
AMIRI’s Pre-Spring 2026 draws inspiration from John Hughes’ 1985 film, The Breakfast Club, paying homage to its universal story and the contradictions of youth.
Drop Books has released its second publication, titled “Wildness.” The book is a collaboration between photographer Mark Borthwick and fashion designer Duran Lantink.
The campaign’s narrative is a journey that captures the spirit of travel through different lights: the Parisian sunset, the break of dawn, and the glow of a bonfire.
In the digital age, a “personal brand” is often a carefully curated facade. But for Carlos Vasconcellos, it’s something far more authentic: a direct line to his soul.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.