Featuring British actor Ed Skrein as the face of the new fragrance campaign. So good to be bad…
Carolina Herrera has recently landed with a brand-new men’s fragrance on global shop floors, the masculine counterpart to the house’s much-loved and commercially profitable Good Girl. British actor Ed Skrein stars as the face of the fragrance’s campaign -appropriate and as such, he played with a couple of bad boys during the course of his acting career (you might remember his villain caricature featured as the antagonist in Deadpool and as Daario Naharis in Game of Thrones).
Comparably to Good Girl, Bad Boy’s dagger-sculpted bottle is an indeed jaw-dropper, with its distinctive lightning bolt shape and golden stand, emphasizing a feel of prominence that’s filled with striking taste. And we’re here for it. BAD BOY is an oriental perfume, crammed with fresh elements such as green bergamot, sage, and red and white pepper. In addition to this, the scent is then further-boosted by roasted amber wood, tonka bean, and cacao.
A recent press release shared over the past month saw Carolina Herrera de Baez, creative director of fragrances of the eponymous fashion household, remarking: “To uncover their secret nuances, these accords have been roasted. They are also an homage to Eau de Parfum Good Girl, which also includes roasted tonka beans and cocoa.”
And as quality and worth may want it, the above notes make an enchanting and exceptional men’s fragrance. The juxtaposition between the menswear and womenswear fragrance reverberates a rebellious spirit, challenging the notions of the modern man who happens to be distinct, unique, and sexy.
C2H4® is slowing down. Instead of chasing seasons, their R011 Collection is built to last: one carefully crafted lineup per year, designed to stay relevant long after the trends fade.
HAIKURE’s SS26 collection, Come As You Are, is for people who want to feel good without the effort, who wear clothes that fit their lives, not the other way around.
Glass Cypress’s Spring/Summer 2026 collection, The Ones Who Flee, is a meditation on movement, not just physical escape, but the deeper act of resisting what binds us.
Francisco Terra’s 15th-anniversary collection for Maldito is a midnight ride through memory, a fever dream of teenage longing stitched into lace and rhinestones.
In a time of movement and uncertainty, Estelita Mendonça’s Spring/Summer 2026 collection questions what clothing means when stability feels like a luxury.
Take a look at C.R.E.O.L.E’s Spring/Summer 2026 backstage, captured by the lens of Spencer Stovell during Paris Fashion Week, in exclusive for Fucking Young!
Glenn Martens’ Maison Margiela Artisanal collection doesn’t just borrow from history, but it fractures it, reassembles it, and wears it like a second skin.
For Spring/Summer 2026, AV Vattev’s Bohème collection takes its cues from two iconic worlds: the effortless cool of French New Wave cinema and the raw energy of British music subcultures.
Concrete Husband talks about turning psychological collapse into industrial soundscapes, confronting darkness on Berghain’s dancefloor, and why dark techno is, above all, sexy.
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
