After wrapping up 2016 by popping on numerous year-end lists from the likes of Rolling Stone, Remezcla, andKEXP, Venezuelan artist Algodón Egipcionow readies “El Ciclo del Agua” (“TheWater Cycle”,) the third single off his sophomore album La Confianza Ciega.
On “El Ciclo del Agua,” the producer adds elements from shoegaze and hip-hop to his peculiar brand of eccentric electronic pop music, creating a journey crafted to emote with its textures and dynamics. He does so while linking through metaphors the biogeochemical process with crying as a source of renovation and purification for human beings.
The single is accompanied by a music video done in Barcelona, Spain, by director Jordi Estrada. The visuals present two young men going through a phase of discovery, serving as a window to a friendship that sometimes is tender, others violent;where submission and addiction intertwine, as well as fear and hope. In his own words, he and his teamportrayed a “hedonistic fantasy in their little corner of intimacy, where we explore the idealization of masculinity, platonic desire and self-destruction’s subliming freedom.”
In the context of the current conservative wave that blankets the globe, Estrada, under the banner of Protagoras’ principle of “man is the measure of all things,” searches for his individual truth, which doesn’t necessarily aligns with Western heteronormativity
Created with artist Samuel de Sabóia, the lineup weaves together regeneration, spirituality, and a question: What does the future of fashion look like?
After showing off-calendar for two seasons in a presentation format, the 2023 LVMH Prize-nominated designer Kartik Kumra is now the first Indian designer to be on the official menswear calendar.
SANKUANZ’s Spring/Summer 2026 collection finds its heartbeat in Tara, the Tibetan Buddhist goddess who exists between two worlds, both enlightened and earthly.
For SS26, Hung La’s LỰU ĐẠN closes its trilogy “MAYHEM,” “YOU DON’T BELONG HERE,” and now “NO MAN’S LAND”, with a collection that stares straight at the people society ignores.
Marine Serre‘s Spring/Summer 2026 collection is about the quiet revolution happening in every stitch. Titled THE SOURCE, this is clothing that moves with purpose, crafted by hands that treat savoir-faire not as a relic, but as rebellion.
C.R.E.O.L.E.’s DOM TOP FEVER collection is a reckoning. It digs into displacement, memory, and the act of reclaiming stories that have been buried or distorted.
Entitled ‘The Boy Who Jumped the Moon’, this latest KidSuper collection explored key notions of naïveté, innocence and dreams, which are some of the defining characteristics of any childhood.
Take a look at LAZOSCHMIDL’s Spring/Summer 2026 presentation, captured by the lens of Rita Castel-Branco during Paris Fashion Week, in exclusive for Fucking Young!
For White Mountaineering’s SS26 collection, designer Yosuke Aizawa looks back to the 1970s, when gear like Kelty’s aluminum frame packs and early Gore-Tex jackets redefined what clothing could endure.
A$AP Rocky took over Paris’ L’Eglise Protestante Unie de l’Etoile to prove one thing: what starts as a uniform, a necessity, or even something dismissed as “ghetto” can become the blueprint for luxury.
Take a look at Drôle de Monsieur’s Spring/Summer 2026 backstage, captured by the lens of Tiago Pestana during Paris Fashion Week, in exclusive for Fucking Young!
Turn the page. Breathe deep. Your pupils are already dilating. The high is coming.
Issue 26 brings together two electrifying covers that take the dopamine dive from Sadiq Desh captured by Cris Cerdeira to multidisciplinary visual artist and photographer Tomás Pintos’ cover story, Besos hasta agotar stock (Kisses Until Sold Out), developed from the live performance creating a space where glamour
meets exhaustion.
