Vallechi‘s latest song, “AnytiMe,” isn’t just about time; it’s an attempt to make it feel. The music doesn’t just tell you about time’s abstract nature; it tries to make you experience how time can feel fluid and unpredictable.
The song plays with our expectations of how time should flow. Sometimes it feels like time is rushing by, while other times it seems to crawl. “AnytiMe” captures this by shifting between different rhythms and tempos, even though the overall beat might remain the same. This creates a sense of time bending and warping, just like it does in our own lives.
Vallechi draws inspiration from scientific ideas like relativity, where time can slow down or speed up depending on where you are in the universe. The music reflects this by creating a sense of disorientation, making the listener question their own perception of time. It’s like the song is saying that time isn’t a fixed thing, but something that’s constantly changing and adapting.
The partnership continues to explore the universe of the London label founded by Sofia Prantera, which has built its identity by combining classical art references with counterculture and an irreverent attitude rooted in urban culture.
The shift comes with a new identity, a new headquarters, and a corporate reorganisation in which Águeda Amiano and María Fitz-James Stuart remain at the helm.
From skate culture and American suburbia to a new campaign for Bershka and Aries. Ed Templeton is taking over Barcelona with “Tomorrow Never Comes”, less a retrospective than an ongoing conversation between past and present. Free to visit from 10–20 September at Espai Metrònom.
Ann Demeulemeester unveiled its Fall/Winter 2026 campaign, shot by Nikolai von Bismarck, styled by Elodie David, and creatively directed by Stefano Gallici.
We sat with the talented Amsterdam-based designer to discuss the inspiration behind his latest collection, promoting tolerance through clothing, and why fashion still has such a problem with larger bodies.
Camiel Fortgens returned to Amsterdam Fashion Week with a Spring/Summer 2027 show set in an unexpected but familiar place: an Albert Heijn supermarket after closing hours.
Acne Paper Palais Royal has opened Rodeo, an exhibition of seventy-seven vintage photographs by Bruce of Los Angeles, curated by Vince Aletti and drawn from his private collection.
Moncler has revealed the story of its relationship with New York through New York in Moncler, a city-wide public exhibition running from 9 to 13 September.
There’s a particular kind of momentum that happens when someone finds their place in a scene, and DJ ENGALANAN has been moving with that energy for a few years now.
Walter Van Beirendonck and Eastpak have expanded their long-running collaboration for Fall 2026, building on the legacy of the Monster backpack first introduced in 2004.
Held at the Fondation Louis Vuitton on September 4, with Wisdom and Derek taking over as the opening hosts, the 2026 edition placed craft and savoir-faire firmly within the conversation around the future of fashion.
HOMME PLISSÉ ISSEY MIYAKE will present the second edition of Open Studio in London, in collaboration with Tate, introducing a capsule collection inspired by Henri Matisse’s The Snail.
COMME des GARÇONS Homme Plus has reinterpreted the Air Jordan 11 for FW26, sharpening the iconic basketball silhouette through the house’s approach to form and reduction.
For Issue 28, TRANSPARENCY, we explore the shifting relationship between what is revealed and what remains concealed, questioning ideas of authenticity, identity, vulnerability, and self-expression in an increasingly exposed world.
